Coming of Age

Trapped in an abusive marriage to Lord Caraway with her beloved daughter Melissa, 24-year-old Lady Elodie Caraway knows she has to escape before her deepest and darkest secrets are revealed giving her husband every reason to seek his revenge. But time is of the essence, if she is to save herself and Melissa. With the help of lifelong friend Aiden Newman, they swiftly leave Oakland Hall for a new life in Liverpool's docklands. On arrival, Elodie and Melissa are welcomed as lodgers by Molly Haywood’s family, Aidens aunt – no questions are asked.

Gracie Howard, at eleven, tragically lost her parents, sister, and her hand. Older now, and on the cusp of winning a national ice cream contest, she still fights nightmares. Never has she known someone who truly understands her heartache—until she meets Kage. Tossed out the doors of a Greyhound bus in front of her grandfather's ice cream shop, Kage, nineteen and homeless, is working his way to Louisville to meet his sister for the first time. Outsiders aren't welcome in the tiny Kentucky town of Ridgewood, nor is Kage's interest in Gracie.

Lucy is the tourist vacationing at a beach house on Prince Edward Island. Felix is the local who shows her a very good time. The only problem: Lucy doesn’t know he’s her best friend’s younger brother. Lucy and Felix’s chemistry is unreal, but the list of reasons why they need to stay away from each other is long, and they vow to never repeat that electric night again. It’s easier said than done.

Lee knows she’s the best. A professor favorite and fellowship winner, there’s no doubt she’ll land one of the coveted jobs at a Big Five corporation. So when, upon graduating, Lee is instead assigned to an unknown company in the dead city of New York, her life goals are completely upended. In this new role, Lee’s task is to gather enough research to train an AI how to be a friend. She begins online and by studying the social circle of her clueless, outgoing roommate Veronika.

Shortly after her husband Levi’s untimely death, Kyoko decides to raise their young son, Alex, in San Francisco, rather than return to Japan. Her nosy yet loving Jewish mother-in-law, Bubbe, encourages her to find new love and abandon frugality but her own mother wants Kyoko to celebrate her now husbandless life. Always beside her is Alex, who lives confidently, no matter the circumstance. Four sections of vignettes reflect Kyoko’s fluctuating emotional states—sometimes ugly, other times funny, but always uniquely hers.

Written with a “formal playfulness [that] suggests Kundera with A.D.D.” (Village Voice), Georgi Gospodinov’s The Physics of Sorrow became an underground cult classic upon its 2012 release. In a radical reimagining of the minotaur myth, a narrator named Georgi meanders through the past to find the melancholy child at the center of it all. Spanning from antiquity to the Anthropocene, he catalogs curious instances of abandonment, recounts scenes of a turbulent boyhood in 1970s Bulgari.

Sebastián lived a childhood of privilege in Mexico City. Now in his twenties, he has a degree from Yale, an American girlfriend, and a slot in the University of Iowa's MFA program. But Sebastián's life is shaken by the Trump administration's restrictions on immigrants, his mother's terminal cancer, the cracks in his relationship, and his father's forced resignation at the hands of Mexico's new president. As he struggles through the Trump and Lopez Obrador years, Sebastián must confront his father's role in the Mexican drug war and navigate his whiteness in Mexican contexts.

From the outside, Isabel doesn’t seem to have much going on. It’s the summer after college graduation, and she’s moved back to her hometown, where she spends her days house-sitting, babysitting, working the front desk at a yoga studio, and hanging out with her friend Ellie. But on the inside, Isabel’s mind is always running, always analyzing, and right now, she’s trying hard to not let her thoughts give weight to boys. So when Isabel spots three baby skunks in the yard, their presence is not only a strangely thrilling break from the expected, it feels like a fortuitous sign from the universe.

It is 1936, and in the small Italian city of Monza, on the pebbled bank of the Lambro, two frantic girls scramble to bury a body—the dead son of the city's most prominent fascist. Soon, they will find their fierce friendship put to the ultimate test. A year earlier, Francesca Strada, the well-mannered daughter of a bourgeois family, dreams of a life beyond provincial conformity. From afar she spies on Maddalena, the town’s rebellious outcast—whom neighbors call “the Cursed One”—and whose indomitable spirit fascinates her.

Peter Heller is unique in his ability to capture the beauty and nuance of the natural world and its pull on women and men. In The Orchard, he pairs evocative storytelling with jewel-like poems—Hayley’s translations of her most beloved Tang poet, Li Xue—that echo Hayley and Frith’s life in the wilderness and tell their own tale of mother and daughter.

The Handsome Man is a collection of linked stories that follow several years of the life of a young man as he is drawn around the world: from Toronto to Montreal, New York, Ohio, New Mexico, British Columbia, Berlin, Rome, and Northern Ontario, along the way meeting hippies, healers, drinkers, movie stars, old friends, and welcoming strangers. He isn’t traveling, however; he’s running away. But as far and fast as he runs, the world won’t let him disappear, and each new encounter and every lost soul he meets along this journey brings him closer and closer to certain truths he’d locked away.

A local celebrity in the arts community of Quesinberry, Lolly Scarberry shines as one of the main acts at the Lotus Theatre. Always one to wear her heart on her sleeve, Lolly earns the affections of others quickly, loving openly and treating everyone with considerable care—even the town’s resident outsider MackLynn Brooks. A college transplant, Mack has thought about skipping town every day since graduation, but after years hanging around, it allowed her an accidental meeting with Lolly, and solidified her planting in the town she hates.

It doesn’t take long for ambitious freshman and aspiring engineer Jessie Ahuja to learn about two university legends. One is the haunted history of Davidson Tower, where more than fifty years ago, two ill-fated lovers disappeared in a devastating fire. The other is Ravi Kumar, a privileged billionaire nepo baby who’s aggravatingly charming and occupying more brain space than Jessie has room for. Things change when a campus prank locks them both in the old tower’s ghostly library.

In Kochi, amidst fulfilling duties and encountering fascinating individuals, Esteban discovers an unexpected source of joy. His path intersects with Aja, the head nurse, and their connection defies the conventional boundaries of their roles. However, their burgeoning romance faces challenges, especially as Aja grapples with her identity as a practicing nun. Their complex relationship unfolds within the hospital's corridors, leading to a heart-wrenching separation as Aja prioritizes her faith.

Connie Mulligan, daughter of a fourth-generation Tasmanian dairy farmer, feels like she doesn't belong–anywhere. She's got big dreams and big ideas, but she made a mess of her university degree and has been sent home in disgrace. The man who was responsible for her failure won't get out of her nightmares, her father won't listen to any of her ideas on how to make environmentally positive changes to the way the dairy farm is being run, her mom thinks she should go on anti-depressants, and she keeps having what her psychologist calls 'episodes'.