After the violence of Kristallnacht (1938), European Jews, now desperate to emigrate, found the consular doors of the world closed to them. Only one port required no entry visa: Shanghai, a self-governing Western trading enclave in what was technically Chinese territory, a political anomaly that became an escape hatch—if you were lucky enough to afford a ticket on one of the great Lloyd liners sailing to the East and safety.

This original short story takes us back in time to show us how it all began. On a whirlwind, action-packed thriller ride through Italy, Denmark, Germany, Switzerland, it shows us the beginning of CIA operative Agent Zero's career - and brings us up to the fateful moment when his memory came to be lost.

Seventeen years after the fall of the Third Reich, Max Weill has never forgotten the atrocities he saw as a prisoner at Auschwitz - nor the face of Dr. Otto Schramm, a camp doctor who worked with Mengele on appalling experiments and who sent Max’s family to the gas chambers. As the war came to a close, Schramm was one of the many high-ranking former-Nazi officers who managed to escape Germany for new lives in South America, where leaders like Argentina’s Juan Perón gave them safe harbor and new identities.

A neutral capital straddling Europe and Asia, Istanbul has spent the war as a magnet for refugees and spies. Even American businessman Leon Bauer has been drawn into this shadow world, doing undercover odd jobs and courier runs for the Allied war effort. Now, as the espionage community begins to pack up and an apprehensive city prepares for the grim realities of postwar life, he is given one more assignment, a routine job that goes fatally wrong, plunging him into a tangle of intrigue and moral confusion.

At once a murder mystery, a moving love story, and a riveting portrait of a unique time and place - Berlin, July 1945 - The Good German is a historical thriller of the first rank. The New York Times calls it "thoroughly captivating, a novel that brings to life the ambiguities at the heart of our country's moral legacy."

Hailed by Salman Rushdie as a "brilliantly innovative thriller-writer", Philip Kerr is the creator of taut, gripping, noir-tinged mysteries set in Nazi-era Berlin that are nothing short of spellbinding. The first book of the Berlin Noir trilogy, March Violets introduces listeners to Bernie Gunther, an ex-policeman who thought he'd seen everything on the streets of 1930s Berlin - until he turned freelance and each case he tackled sucked him further into the grisly excesses of Nazi subculture.

NOW A MAJOR BBC DRAMA starring Romola Garai, Chris O'Dowd, Gillian Anderson, Richard E. Grant, Shirley Henderson and Mark Gatiss. 'Watch your step. Keep your wits about you; you will need them....' So begins this irresistible voyage into the dark side of Victorian London. Amongst an unforgettable cast of low-lifes, physicians, businessmen, and prostitutes, meet our heroine Sugar, a young woman trying to drag herself up from the gutter any way she can.

It is 1946, and a stunned Europe is beginning its slow recovery from the ravages of World War II. Adam Miller has come to Venice to visit his widowed mother and try to forget the horrors he has witnessed as a U.S. Army war crimes investigator in Germany. Nothing has changed in Venice, not the beautiful palazzi, not the violins at Florian's, not the shifting water that makes the city, untouched by bombs, still seem a dream.

She used to work for the US government, but very few people ever knew that. An expert in her field, she was one of the darkest secrets of an agency so clandestine it doesn't even have a name. And when they decided she was a liability, they came for her without warning. Now she rarely stays in the same place or uses the same name for long. They've killed the only other person she trusted, but something she knows still poses a threat. They want her dead, and soon.

The Prodigal Spy is a story of fathers and sons and the loyalties that transcend borders, and of a young man's search for the truth buried in his own past, when a national drama was made personal and history itself became a crime story.