Showing results by narrator "Susan Ericksen" in All Categories

A six-year-old boy goes to spend the summer with his grandmother, Alida, in a small Minnesota town. With the men all gone off to fight, the women are left to run the farms. There’s plenty for the boy to do - trying to help with the chores; getting to know the dog and the horses, cows, pigs, and chickens. But when his cousin Kristina goes into labor, he can’t do a thing. Instead, the house fills with women come to help and to wait, and to work on the quilt together

Rainey Bliss Adams desperately needed a new start when she and her daughter Ariel relocated from St. Louis to Old Gate and settled into the house where the Bliss family had lived for over a century. Rainey's husband had been killed in a freak explosion that left her 14 year-old daughter Ariel scarred and disfigured. At the grand housewarming party, Bliss House begins to reveal itself again.

It's 1967, and Susan Gifford is one of the first female correspondents on assignment in Saigon. She is dedicated to her job and passionately in love with an American TV reporter. Son is a Vietnamese photographer anxious to get his work into the American press. Together they cover every aspect of the war, from combat missions to the workings of field hospitals.

V.I. has been visiting Club Gouge, Chicago’s edgiest nightspot, where a woman known as the Body Artist turns her naked body into a canvas for the audience to paint on. The show attracts all kinds of people, from a menacing off-duty cop to Ukrainian mobsters and Iraq war vets - and V.I.’s impetuous cousin, Petra. A tormented young painter shows up, too, and the intricate designs she creates on the Body Artist drive one of the vets into a violent rage. But the vet’s family hires V.I. to clear his name....

For sister and brother Lily and Robert Brewster and the rest of Hudson Valley, the dark days of the Depression mean deprivation all around. Their poor town has lost its post office, and now the mail gets dumped at the train station. When Robert helps a young widow haul her newly arrived German grandfather's trunks home, he thinks he may have found a new set of friends.

Three years ago, a child's death sent one innocent man to prison and blew open a vortex of corruption at the heart of Manhattan's lucrative construction industry. Joe Cole was that innocent man. A former Buildings Department inspector, the ex-con now lives a broken life, cut off from his wife and daughter, and from the city he loves.

In the drought-ridden spring of 1934, Bena Jonnsen, her husband Ted, and their newborn baby relocate from their home in Minnesota to Pueblo, a Western plains town plagued by suffocating dust storms and equally suffocating social structures. Little can thrive in this bleak environment, neither Bena and Ted's marriage nor the baby, whom Bena believes - despite her husband's constant assurances - is slipping away from her.

Most New Yorkers, even famous ones, have cherished rituals and favorite places that connect them to their city in unique ways. They have their beloved restaurants, museums, parks, galleries, landmarks, haunts, and hideaways. It may be watching tango dancers on Saturday nights in Central Park. Or riding a bike over the Brooklyn Bridge for a slice of Grimaldi's pepperoni pizza and a view of the Manhattan skyline from across the East River.

Anna O’Shea has failed at marriage, shed her job at a law firm, and she’s trying to re-create herself when she and her recalcitrant nephew are summoned to the past in a manner that nearly destroys them. Her twenty-first-century skills pale as she struggles to find her nephew in nineteenth-century Ireland. For one of them, the past is brutally difficult, filled with hunger and struggle. For the other, the past is filled with privilege, status, and a reprieve from the crushing pain of present-day life. For both Anna and her nephew, the past offers them a chance at love.

Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of 14 people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to "settle" the West reflects the tough-as-nails women in Gwartney's own family.

Perhaps Vidal’s most outrageous novel, this is an indescribable fantasy purportedly set in the city of Duluth (which, however, is near the Mexican border) and involving a TV show also named Duluth (a parody of Dallas), a spaceship that has landed nearby, the antics of a policewoman, Darlene Ecks, and much else.

Our Mothers' War is an eye-opening and moving portrait of women during World War II, a war that forever transformed the way women participate in American society. Never before has the vast range of women's experiences during this pivotal era been brought together in one book.

Season 2 is the follow-up to Dear Bob and Sue, a charming and sometimes irreverent chronicle of a middle-aged couple as they visit each of the country's 59 national parks, testing their mettle and stretching their endurance. In their second audiobook of the series, follow Matt and Karen as they work their way around the Western US discovering some of our most beautiful public lands, hidden gems, and revisiting a few of their favorite national parks.

Newlyweds Emma and Colin are suspicious when prosecutor Tamara McDermott is a no-show at a Boston dinner party. Matt Yankowski, head of HIT, Emma and Colin’s small, elite Boston-based team, is a friend of Tamara’s, and he needs them to find her. In London, a woman who was supposed to meet Emma’s art-detective grandfather to talk about forgeries is discovered near death. Her husband, who stayed behind in Boston, has vanished. The couple’s connection to Tamara adds to the puzzle.

Beautiful New York socialite Lily Bart finds herself alone and nearly penniless as her thirtieth birthday approaches. To maintain her station in high society, Lily must wait for her miserly aunt to bequeath her fortune, or marry well. Blessed with wit and charm, she doesn’t lack for suitors, yet the most socially acceptable candidates fail to capture Lily’s interest. Instead, she’s intrigued by a young lawyer who is unafraid to speak his mind.

With the threat of the Third Reich looming, Eleanor Roosevelt employs the history of human rights to establish the idea that at the core of democracy is a spiritual responsibility to other citizens. Roosevelt then calls on all Americans, especially the youth, to prioritize the well-being of others and have faith that their fellow citizens will protect them in return. She defines this trust between people as a trait of true democracy. Roosevelt advances an optimistic model for the democracy of the future, and although we've taken some steps in the direction of her vision, it's still a long way from reality.

After the tragic death of her son and the seeming collapse of her marriage, Charlotte Napier flees to Portugal in the hopes of finding guidance from her mentor: her mother-in-law, Violet. Instead, she finds solace in the letters of Mariana Alcoforado, a seventeenth-century nun. Charlotte and Mariana's stories may be different in origin, but they share the same inner turmoil. As she reads the letters, Mariana's spiritual journey sheds light on Charlotte's own crisis.

The promise of discretion and pampering - and a longer overdue reconciliation with her mother - draws Caroline Blessing, the young wife of a newly elected congressman, to the fancy Phoenix Spa. But after her first night in the beautiful Blue Ridge Mountains, Caroline wakes to find the rich and famous guests in turmoil and under suspicion: the spa's flamboyant and ambitious owner has been murdered. As the secrets come out - and the body count rises - can Caroline keep herself from becoming the next victim?

M. R. James was a prolific and hugely successful author, nowc redited with redefining the ghost story form. By abandoning many of the formal gothic clichés of his predecessors and using more contemporary settings, James set the stage for future generations of writers. Originally published in 1904, Oh, Whistle, and I'll Come to You, My Lad is the story of a man who digs up a bronze whistle, which, after blowing it, leads to unexpected consequences.

One frigid, January morning in Manhattan, a new father, racked by sleep deprivation, decides to let his wife sleep in - then spontaneously flees lower Manhattan with the baby for a weekend in the Caribbean. It wasn’t a kidnapping, he wasn’t leaving his wife; he just wanted to spend a little time with the baby and give his wife a break. When the wife awakes, truly rested for the first time in nearly a year, she feels great - and embarks on a city adventure as misguided in its own way as her husband’s impulsive escape. Told from the couple’s alternating points of view, the story unfolds across one life-changing long weekend.