The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women whose lives, loves, and rivalries were forever altered by this long and tragic war.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Writer, broadcaster and recovering comedian Natalie Haynes mixes comedy and conversation to bring the ancient world entertainingly up to date in these four radio series. Each episode sees her profiling a key figure from ancient Greece and Rome, and, aided by her special guests, creating a stand-up show around them.

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing. Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it.

When Clytemnestra marries Agamemnon, she ignores the insidious whispers about his family line, the House of Atreus. But when, on the eve of the Trojan War, Agamemnon betrays Clytemnestra in the most unimaginable way, she must confront the curse that has long ravaged their family. In Troy, Princess Cassandra has the gift of prophecy, but carries a curse of her own: No one will ever believe what she sees. When she is shown what will happen to her beloved city when Agamemnon and his army arrives, she is powerless to stop the tragedy from unfolding.

Did you know that there are more penises than women in the Bayeux Tapestry? That the Peasants’ Revolt of 1381 was started and propelled by women who were protesting a tax on women? Or that Charles Darwin believed not just that women were naturally inferior to men, but that they’d evolve to become ever more inferior? These are just a few of the startling findings you will learn from listening to Philippa Gregory’s Normal Women. In this ambitious book, she tells the story of England over 900 years, for the very first time placing women—some fifty per cent of the population—center stage.

In ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece—the most beautiful woman the town has ever seen—the gift of life. After marrying her, he expects Galatea to please him, to be obedience and humility personified. But she has desires of her own and yearns for independence. In a desperate bid by her obsessive husband to keep her under control, Galatea is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost.

Author, broadcaster and 'rock star classicist' Natalie Haynes is a little bit obsessive about Ancient Greece and Rome. In these four series, she explores some of the most prominent historical and mythological figures from the classical world, telling their stories through a mix of stand-up comedy and conversation.

Until the mass hysteria of the seventeenth century, accusations of witchcraft in England were rare. However, four royal women, related in family and in court ties - Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg, and Elizabeth Woodville - were accused of practicing witchcraft in order to kill or influence the king. In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of 15th-century England, a setting rife with political upheaval and war.

Little is known about the Ancient Greek oral poet Homer, the supposed 8th century BC author of the world-read Iliad and his later masterpiece, The Odyssey. These classic epics provided the basis for Greek education and culture throughout the classical age and formed the backbone of humane education through the birth of the Roman Empire and the spread of Christianity.

When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this moving, subversive debut novel that reimagines Norse mythology. Angrboda’s story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

In her international bestseller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius.

In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.