Reveling in Sin cover art

Reveling in Sin

The Sin Trilogy, Book 3

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Reveling in Sin

Written by: Meghan March
Narrated by: Joe Arden, Erin Mallon
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About this listen

Reveling in Sin is the third audiobook in New York Times best-selling author Meghan March's epically romantic and addictive Sin trilogy.

Whitney Gable is the kind of woman you fight to the death to protect. To keep. To cherish. I've finally learned my lesson, and it's time to prove I'm the man who's worthy of her. I don't care what it takes, because failure is not an option.

No matter who or what stands in our way - this time, she'll be mine forever.

©2018 Meghan March (P)2018 Meghan March
Contemporary Romantic
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HORRIBLE NARRATION...VERY frustrating heroine

The female narrator is ridiculously bad...the story line is okay although way too much MELODRAMA......some of it is predictable but would still be okay except for the extremely irritating female narrator - ALL her character voices are equally BAD and even her female voices don’t sound feminine without being irritating; Ironically her male voice is the best. The male narrator is okay. The main female character does demonstrate a remarkable amount of self pity and alternates between finding a spine and forgetting she has one, between letting go of the past and holding in tightly and ridiculously with both hands, self-confidence and recognizing her skills and talents (and having good reason for this given a 10 year career) and doubting herself entirely and not giving herself credit for anything...and the gun toting family feud is pretty over the top...furthermore so much unrealistic and constant bad news and tragedy...upon second listen - the mother is so poisonous and irritating (and her use of the term “whore” is EXCESSIVE), the cousin is also poisonous and irritating and the heroine is SO FRUSTRATING!!! She plays the martyr constantly and is SO WHINY and self-pitying...and if something in life can go wrong for this family, it will! Unbelievable!!! Also, I agree with others who have said there is too much back and forth between the flashbacks to the past events and the present

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