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Poems by Emily Dickinson is a compilation of the poetry of Emily Dickinson in three different series, each composed of the following subjects: Life, Love, Nature, Time, and Eternity.

The notoriously reclusive New England poet broke all the rules of Victorian-era poetry to create a new, uniquely American style. Despite the fact that the majority of the poems recited here were never published in her lifetime, Dickinson remains one of the most influential voices in American literature.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.

Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence.

For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading.

Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.

In this brilliantly original book, Camille Paglia identifies some of the major patterns that have endured in western culture from ancient Egypt and Greece to the present. According to Paglia, one source of continuity is paganism, which, undefeated by Judeo-Christianity, continues to flourish in art, eroticism, astrology, and pop culture. Others, she says, are androgyny, sadism, and the aggressive western eye, which has created our art and cinema.

Amherst, 1857. The Dickinson family braves one of the worst winters in New England’s history. Trains are snowbound and boats are frozen in the harbor. Emily Dickinson and her maid, Willa Noble, have never witnessed anything like it. As Amherst families attempt to keep their homes warm, fears of fire abound. These worries prove not to be unfounded as a blaze breaks out just down the street from the Dickinson in Kelley Square, the Irish community in Amherst, and a young couple is killed, leaving behind their young child.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out by letter. She wrote nearly 1,800 poems in her life, but very few were published until after her death. In this volume, the poems are presented in chronological order in their original form, unaltered by editorial revision. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy writings of her last years.

Like many writers of her day, Emily Dickinson was a virtual unknown during her lifetime. After her death, however, when people discovered the incredible amount of poetry that she had written, Dickinson became celebrated as one of America’s greatest poets. Emily Dickinson looks at the reclusive life and remarkable work of the poet.

Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women - to encourage, challenge, and inspire. One of American’s most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection of her vast archive of poetry to inspire the writers, creatives, and feminists of today.

The life of poet Emily Dickinson provides a window that opens to a world of obsession, creativity, and erotic yearning for the Beloved. Jungian analyst Marion Woodman interlaces biographical insights, archetypal commentary, and Dickinson's poetry to introduce us to the Socratic concept of the "daemon"—a guide and transformative spirit from the other side of consciousness. This fascinating study in feminine psychology discusses the Father Complex, God projection, compulsive relationships, and much more.

August 1856. The Dickinson family is comfortably settled in their homestead on Main Street. Emily’s brother, Austin Dickinson, and his new wife are delighted when famous thinker and writer Ralph Waldo Emerson comes to Amherst to speak at a local literary society and decides he and his young secretary, Luther Howard, will stay with the newlyweds. Emily has been a longtime admirer of Emerson’s writing and is thrilled at the chance to meet her idol. She is determined to impress him with her quick wit, and if she can gather the courage, a poem.

Through her transcendent imagery, distinct punctuation, experimental slant rhyme, and wordplay, Emily Dickinson set herself apart from every other poet of her time. These essential works - thematically divided into poems on life, nature, love, and time and eternity - reveal a keen, humorous observer whose art, like the artist herself, defied tradition.

Emily Dickinson today has gained her deserved place alongside Walt Whitman as one of the two greatest American poets of the 19th century. Beginning always with particulars of personal experience, her poems encompass life and death, love and longing, joyfulness and sorrow. With sparse, precise language, she conveyed a penetrating vision of the natural world and an acute understanding of the most profound human truths.

In 1882, Emily Dickinson's brother Austin began a passionate love affair with Mabel Todd, a young Amherst faculty wife, setting in motion a series of events that would forever change the lives of the Dickinson family. The feud that erupted as a result has continued for over a century. Lyndall Gordon, an award-winning biographer, tells the riveting story of the Dickinsons and reveals Emily to be a very different woman from the pale, lovelorn recluse that exists in the popular imagination.

In Rebuilding Relationships in Recovery, Janice V. Johnson Dowd shows listeners how to repair and enhance their relationships after active addiction. With personal insights and professional wisdom, Dowd—a licensed social worker in recovery—explores her own personal journey through alcoholism, offering a realistic and transformative guide.

A collection of the finest work of one of America's best-loved poets. Despite Dickinson's prolific writing, fewer than a dozen of her poems were published during her lifetime. Critics now consider Dickinson to be a major American poet. Read by Julie Harris.

Emily Elizabeth Dickinson was born in 1830 in Amherst Massachusetts. Rightly regarded as a major American poet, her life was sheltered, introverted, and reclusive. Despite writing over 1800 poems, only a dozen or so were published during her lifetime. Her structures and wordings are at times difficult to get to grips with, though recurring themes of religion and death certainly shadow many of her works.

During her lifetime, Emily Dickinson did not seek out recognition or attempt to change the world around her, even in the smallest way. A private but not antisocial person, she kept her life’s work, and her innermost feelings, almost entirely to herself. After her death in 1886, it was only the good judgment of her sister Lavinia that preserved the more than 1,700 poems Dickinson had secretly produced. Her poetry was so intensely individual that it immediately captivated a national audience. More than a century later, her special genius continues to surprise readers young and old.

With all of its freshness and genius, this collection of over 200 titles is indeed a "letter to the world". Life, love, nature, time, death and eternity are explored with keen insight and beautiful imagery.