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When he is eight years old, Alfie Logan discovers the magical ability to get a second chance at everything. He can undo any moment and live it again. The one catch: he must accept the consequences of his second try—for better or worse. He grows up correcting his mistakes and saving himself from adolescent embarrassments. He even takes foolishly dangerous risks, just to see what it’s like to come close to death, before tapping back to safety. Eventually, Alfie turns his gift to his love life, studying his crushes and going back to make himself more appealing.

For much of her life, Dawn has felt as if something had been missing. Now, at the age of fifty-eight, with a divorce behind her and her two grown-up sons busy with their own lives, she should be trying to settle into a new future for herself. But she keeps returning to the past and to the secret she’s kept all these years. At just sixteen, Dawn found herself pregnant, and—as was common in Trinidad back then—her parents sent her away to have the baby and give her up for adoption.

A Prologue to Love introduces three generations of the Ames family during the Gilded Age and the early twentieth century—painting a compassionate portrait of a difficult woman, those who have hurt her, and those she has hurt. It is a vivid, profoundly moving novel that explores the damage that everyday evil can do—and what it takes to overcome it.

A novel within a novel, we read here Milton’s account of the story of their childhood even as, years later, he remains jealous of Matthew’s extraordinary abilities and unlikely success. Milton reveals secrets about their friendship, their families, and their nightmarish, sometimes surreal, experience of imprisonment. In revisiting the past, he explores the echoing traumas of racial and institutional violence and the systemic injustices in our systems of incarceration and so-called reform.

Ragle Gumm has a unique job: every day he wins a newspaper contest. And when he isn’t consulting his charts and tables, he enjoys his life in a small town in 1959. At least, that’s what he thinks. But then strange things start happening. He finds a phone book where all the numbers have been disconnected, and a magazine article about a famous starlet he’s never heard of named Marilyn Monroe. Plus, everyday objects are beginning to disappear and are replaced by

Jara steht auf der alten Eisenbahnbrücke über der Ruhr und starrt ins tiefdunkle Gewässer. Anto, die gerade noch neben ihr saß, ist in den Fluss gesprungen und taucht nicht wieder auf. Das Einzige, was Jara von hier oben erkennen kann, ist der Baseballschläger, mit dem sie in dieser Nacht ein Autofenster eingeschlagen haben und der jetzt nicht sinken will. Als Jara zum ersten Mal auf Anto trifft, ist diese zwar die schlechteste Spielerin auf dem Fußballplatz, aber trotzdem mit Abstand die mutigste.

Crime and Punishment tells the story of Rodion Raskolnikov, an ex-student who plans to murder a pawnbroker to test his theory of personality. Having accomplished the deed, Raskolnikov struggles with mental anguish while trying to both avoid the consequences and hide his guilt from his friends and family.

Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers, but with sea levels rising, the Salts are now its final inhabitants. Until, during the worst storm the island has ever seen, a woman mysteriously washes ashore.

A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations, and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue; when she comes to, she has no memory of what has happened to her.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence existence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Thoreau-like utopia.

Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn't been trapped there

Nancy North is ready to put her life back together. After suffering a psychotic break that ruined friendships, stalled her fledgling restaurant, and forced her to move out of her comfortable flat, she’ll do anything to get back to normal. She and her partner Felix—who has been a saint through her recent troubles—move into a new flat for a fresh start. Nancy is taking her pills, seeing her therapist, and avoiding unnecessary stress. She’s doing absolutely everything right, but something is still very, very wrong. On the first day in the new flat, she hears them again.

Edie Walker’s life is not going as planned. At thirty-five, she feels stuck: in her career, in her love life, and in her tiny San Francisco studio apartment. It doesn’t help that her best friend, Peter Masterson, is basically the über successful male version of her—and she’s hopelessly, unrequitedly in love with him. But when Peter breaks up with his girlfriend of seven years, Edie thinks her life might finally be turning around. He’ll discover how toxic dating app culture is and realize that Edie has been right for him all along.

Once a decade a story collection rips a hole in the sky and we remember how it feels to have a spell cast upon us. From Jamaica Kincaid’s At the Bottom of the River to Denis Johnson’s Jesus’s Son to the earthquake stories of Haruki Murakami, these books are often short, but unforgettable. Samanta Schweblin’s Good and Evil is such a book. Sculpted and lucid, strange and uncanny, here is a masterpiece of suggestiveness. Step by step these six stories lure us into the shadows to confront the monsters of everyday life—ourselves.

A high-concept speculative novel about heartache, hope, and human resilience, The Poppy Fields explores the path of grief and healing, a journey at once profoundly universal and unique to every person, posing the questions: How do we heal in the wake of great loss? And how far are we willing to go in order to be healed?

On the dark streets of Edinburgh, a killer is waiting. When a body is found, it is only the beginning. Soon there will be seven more. In the city’s hospital, renowned surgeon Beth Waterfall is grieving. Her beloved only daughter fell prey to a vicious stalker a year previously – and now he’s coming for her too. Edinburgh’s police are desperate.

New York, 1972. A cloistered college student slips out of the dorms to attend a performance by a legendary experimental performance troupe. Within months, she has left campus life behind and joined the company, infatuated by its charismatic leader and his promises of absolute freedom. California, 1997. A theater teacher at an exclusive private school receives an unsettling letter. With her job at risk and her past clawing at her carefully constructed present, what will she do to protect the life she has made?

On a blistering summer day in 1968, nine-year-old Tommy vanishes without a trace from Coram House, an orphanage on the shores of Lake Champlain. Some say a nun drowned him, others say he ran away. Or maybe he never existed. Fifty years later, his disappearance is still unsolved. Struggling true crime writer Alex Kelley needs a fresh start. When she’s asked to ghostwrite a book about the orphanage—and the abuses that occurred there—she packs up her belongings and moves to wintry Burlington, Vermont.

By chance, two men—one English, the other French—meet in a provincial railway station. Their resemblance is uncanny, and they spend the evening talking and drinking. It is not until John wakes the next morning that he realises his French companion has stolen his identity and disappeared. So John steps into the Frenchman's shoes, and faces a variety of perplexing roles—as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.

Faruq Zaidi, a young journalist processing the recent death of his father, a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.”