
2054
A Novel
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Narrateur(s):
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Junior Nyong'o
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Brian Nishii
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Eunice Wong
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Emily Woo Zeller
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Vikas Adam
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Auteur(s):
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Elliot Ackerman
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Admiral James Stavridis USN
À propos de cet audio
From the acclaimed authors of the runaway New York Times bestseller 2034 comes another explosive work of speculative fiction set twenty years further in the future, at a moment when a radical leap forward in artificial intelligence combines with America’s violent partisan divide to create an existential threat to the country, and the world
It is twenty years after the catastrophic war between the United States and China that brought down the old American political order. A new party has emerged in the US, one that’s held power for over a decade. Efforts to cement its grip have resulted in mounting violent resistance. The American president has control of the media, but he is beginning to lose control of the streets. Many fear he’ll stop at nothing to remain in the White House. Suddenly, he collapses in the middle of an address to the nation. After an initial flurry of misinformation, the administration reluctantly announces his death. A cover-up ensues, conspiracy theories abound, and the country descends into a new type of civil war.
A handful of elite actors from the worlds of computer science, intelligence, and business have a fairly good idea what happened. All signs point to a profound breakthrough in AI, of which the remote assassination of an American president is hardly the most game-changing ramification. The trail leads to an outpost in the Amazon rainforest, the last known whereabouts of the tech visionary who predicted this breakthrough. As some of the world’s great powers, old and new, state and nonstate alike, struggle to outmaneuver one another in this new Great Game of scientific discovery, the outcome becomes entangled with the fate of American democracy.
Combining a deep understanding of AI, biotech, and the possibility of a coming Singularity, along with their signature geopolitical sophistication, Elliot Ackerman and Admiral James Stavridis have once again written a visionary work. 2054 is a novel that comes across like a thriller even as it demands that we consider the trajectory of our society and its potentially calamitous destination.
©2024 Elliot Ackerman and Admiral James Stavridis, USN (P)2024 Penguin AudioCe que les critiques en disent
“[A] propulsive thriller. . . The authors have created an enjoyable, intelligent and ultimately frighteningly plausible vision of a future replete with new technological threats.” —Financial Times
“This taut, chilling, provocative page-turner is one part Crichton, one part Clancy, and might just make you think these truly are the good old days.” —Michael Hainey, AirMail
“2054 is a compelling, terrifying and totally plausible thriller of future world history and calamity–not so far away–crafted into a sophisticated geopolitical narrative superbly handled by this unique partnership of retired admiral/NATO supremo, and a prize-winning literary writer of beautiful novels who also happens to be a decorated Marine who served in Iraq and Afghanistan. Excellent–and a worthy sequel of their thriller 2034.” —Simon Sebag Montefiore, author of The World: A Family History
Ce que les auditeurs disent de 2054
Moyenne des évaluations de clientsÉvaluations – Cliquez sur les onglets pour changer la source des évaluations.
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Au global
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Performance
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Histoire
- SF
- 2025-05-10
A unserious, sloppy book that falls well below standards of predecessor
I quite enjoyed 2034. It wasn’t a particularly innovative novel, but it was solid techno/political fiction in the vein of Fail-Safe. It dealt with the possibility of nuclear war in a way that felt reasonably serious—which really is the minimum requirement for approaching the subject.
2054 is just silly. There’s no serious attempt to address the consequences of the limited nuclear war in 2034. The literal fallout is glossed over, and instead it appears as a personal tragedy that shapes (some) of the characters, and explains some major shifts in US politics. That’s about it. Nothing of Alas, Babylon, On the Beach, or even Warday (which is probably the most relevant exploration of a probable and comparable aftermath).
Those shifts in US politics are cartoonish, I get the feeling that the authors were trying to construct some kind of allegory (Dreamers versus Truthers?), but it’s so clumsy that I just can’t tell what they’re trying to achieve. If I had to guess, I’d say that they were trying to avoid a specific parallel to *any* current US party. It’s a cheap approach. I’d respect a solidly leftist novel—or an honestly conservative one!—but you simplify cannot dodge real-world politics in this kind of work and still produce anything worth reading.
And the “science.” The science! Nuclear war presents an *actual* threat to the survival of the human race. Following up 2034 with this flimsy speculation about gene editing is silly at best. In my opinion, it diminishes the first book in retrospect.
Some of the voice performances are quite good. I found it really hard to listen to BT’s passages, especially on headphones: that actor has weirdly wet voice, within some subtle lisping. The reader for Lily Bao’s passages has a lovely, clear voice, and is quite expressive at times. She occasionally indulges in awkward pauses—perhaps to indicate that the character is thinking, or coming to a realizing. The effect is unnatural and a bit distracting.
All in all: maybe the least serious, most frustrating book I’ve finished in years.
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Au global
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Performance
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Histoire
- d mac
- 2024-04-06
Unfortunate - less than expected
This book was challenged by the expectations set by the authors’ preceding (excellent) novel. It failed to meet those expectations - falling short in every aspect.
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