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After London or Wild England

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After London or Wild England

Auteur(s): Richard Jefferies
Narrateur(s): Barnaby Edwards
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À propos de cet audio

After London can be seen as an early example of post-apocalyptic fiction: after some sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature, and the few survivors to a quasi-medieval way of life. The audiobook has two parts. The first, The Relapse into Barbarism, is the account by some later historian of the fall of civilisation and its consequences, with a loving description of nature reclaiming England: fields becoming overrun by forest, domesticated animals running wild, roads and towns becoming overgrown, the hated London reverting to lake and poisonous swampland.

The second part, Wild England, is largely a straightforward adventure set many years later in the wild landscape and society (here too Jefferies was setting an example for the genre); but the opening section, despite some improbabilities, has been much admired for its rigour and compelling narrative.

John Richard Jefferies (6 November 1848 – 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. For all that, these show a remarkable diversity, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction.

Public Domain (P)2013 Audible Ltd
Fantastique Fiction Science-fiction Angleterre
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Ce que les auditeurs disent de After London or Wild England

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  • Au global
    2 out of 5 stars
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    1 out of 5 stars
  • Histoire
    2 out of 5 stars

Disappointing Work

Sadly, I found the work to be quite disappointing. While I had great expectations of the text and quite looked forward to it, I had to stop part way through as I found the work to be sadly lacking. The setting appears to be highly fanciful with no basis in what a post-Apocalyptic Britain would look like given the current state of cities, structures and geography (as well as our understanding of how things would age, as well as survive), which in turn made it quite difficult to "immerse" myself into the work. The pace is tiresome and the work starts off as if it is a historic work on the regional and situational makeup of the era, but then goes off into a story with no real focus, nor grounding and with characters who are quite difficult to relate to.

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