Broadcaster, writer, philanthroper and one of the first public figures to suggest high-visibility clothing for people manning temporary car parks, the public Alan Partridge is a cherished institution. But what of the unseen Alan? For the first time, this famously private man welcomes us into his home and audibly deshrouds himself for a fascinating series of podcasts.

When horror writer Nick Steen gets sucked into a cursed typewriter by the terrifying Type-Face, Dark Lord of the Prolix, the hellish visions inside his head are unleashed for real. Forced to fight his escaping imagination - now leaking out of his own brain - Nick must defend the town of Stalkford from his own fictional horrors, including avascular-necrosis-obsessed serial killer Nelson Strain and Nick's dreaded throppleganger, the Dark Third.

In Alan Partridge: Nomad, Alan dons his boots, windcheater and scarf and embarks on an odyssey through a place he once knew - it's called Britain - intent on completing a journey of immense personal significance. Diarising his ramble in the form of a 'journey journal', Alan details the people and places he encounters, ruminates on matters large and small and, on a final leg fraught with danger, becomes not a man (because he was one to start off with) but a better, more inspiring example of a man.

Journalist, presenter, broadcaster, husband, father, vigorous all-rounder – Alan Partridge – a man with a fascinating past and an amazing future. Gregarious and popular, yet Alan’s never happier than when relaxing in his own five-bedroom, south-built house with three acres of land and access to a private stream. But who is this mysterious enigma? Alan Gordon Partridge is the best – and best-loved – radio presenter in the region. Born into a changing world of rationing, Teddy Boys, apes in space and the launch of ITV, Alan’s broadcasting career began as chief DJ of Radio Smile....

In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits.

Welcome to the inside-out world of Mitchell and Webb, a strange and surreal place populated by misfits, eccentrics, talking animals and a few stray Radio 4 arts programme presenters. Included here are all five series of their fantastically skewed comedy show, packed with offbeat sketches and peculiar characters. Meet seedy snooker commentators Ted and Peter; poorly matched crime-fighting duo Angel Summoner and BMX Bandit; a cop who doesn't get results but, by God, he does things by the book; and some nervous Nazis who've just noticed their caps have skulls on them.

Once in a blue moon, a book comes along that changes the world. The Origin of Species. War and Peace. 1984. And now, Cunk on Everything: The Encyclopedia Philomena, by Philomena Cunk. Philomena Cunk is one of the greatest thinkers of the 21st century, and in Cunk on Everything she turns her attention to our biggest issue: why are there so many books? Wouldn't it be better if there was just one? This is that book—an encyclopedia of all human knowledge, delving into not only life's greatest mysteries but our most important political figures and cultural touchstones.

All 10 episodes of the dark, surreal comedy featuring Matt Berry's twisted regression therapist. Unorthodox, unpredictable and verging on the unprofessional, Dr Berry is a deeply disturbing hypnotherapist. His experimental regressive technique is both strange and terrifying and involves taking unsuspecting clients on unsettling journeys through their subconscious.

Gary Thorn goes for a pint with a work acquaintance called Brendan. When Brendan leaves early, Gary meets a girl in the pub. He doesn’t catch her name, but falls for her anyway. When she suddenly disappears without saying goodbye, all Gary has to remember her by is the book she was reading: The Satsuma Complex. But when Brendan goes missing, Gary needs to track down the girl he now calls Satsuma to get some answers. And so begins Gary’s quest, through the estates and pie shops of South London, to finally bring some love and excitement into his unremarkable life.

In this classic TV soundtrack, Stephen Fry and Hugh Laurie explore a seemingly inexhaustible list of subjects with a delicious turn of phrase and elaborate wordplay. The hilarity includes regular acts such as not so super spy Tony Mercheson and his boss Control, yuppies, John and Peter and the critics. With four brilliant series of great satire, comic genius and hilarious use of language, the show cemented Fry & Laurie as a double act and paved the way for their future stardom.

Aha! Six BBC Radio 4 episodes featuring the king of chat Alan Partridge (Steve Coogan) in a series of hysterically excruciating encounters with guests played by Rebecca Front, David Schneider, Patrick Marber and Doon Mackichan. Also included are two bonus programmes: a spoof behind-the-scenes feature, Knowing Knowing Me, Knowing You, and In Conversation with Steve Coogan. Duration: 4 hours approx.

Through the ages of Britain, from the 15th century to the 21st, Edmund Blackadder has meddled his way along the bloodlines, aided by his servant and sidekick, Baldrick, and hindered by an assortment of dimwitted aristocrats. Now the complete history of Blackadder is collected together, including the four TV series: The Black Adder, Blackadder II, Blackadder the Third and Blackadder Goes Forth.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

Maria Bamford is a comedian’s comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about every method possible to not only be a part of the world, but to want to be a part of it. In Bamford’s “trademark blend of disarming intimacy and dark whimsy” (Publishers Weekly), Sure, I’ll Join Your Cult brings us on a quest to participate in something.

The Mighty Boosh is unlike any show you are ever likely to hear, and one that defies description; the closest you could get to the unique style of Julian Barratt and Noel Fielding would be in the early days of Reeves and Mortimer, with their cardboard props and men with sticks.