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Bad People

A Musical Thriller - Lucy Smith on the Run from Killers - Can Her Songs or Skulk Rock Save Her?

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Bad People

Auteur(s): Max Morpheus
Narrateur(s): Nathan E. Bradshaw
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À propos de cet audio

It's a musical thriller with 32 included original songs. It's noir-road-pulp-romance-crime-supernatural, and introduces "Skulk Rock" to the world.

In remote Montana. Did Lucy Smith's husband deserve to die? She thought so; she killed him. Now she's on the run from his family - The Snakes. They are meanest band you will ever see - purveying "Snake Rock", gratuitous violence and drugs. Lucy makes it to San Francisco, but can her new friends, her new songs, or Skulk Rock save her? Can Jimmy "English" Smith (no relation) help her? Do they have Guardian Angels? Hell's Angels maybe? Pray for Lucy. Pray for James. Pray for San Francisco. Just pray; The Snakes are coming!

Follow Lucy's white knuckle drive from Montana to San Francisco and the battle between good and evil everywhere and within everyone. Will you serve the Devil or the Lord? How does everything end? Will Lucy survive? Will Skulk Rock survive?

For listeners who enjoy noir thrillers and original indie/Americana songs, where true love battles true evil.

What other novel gives you 32 original songs in the price?

©2018 Robert T Morrow (P)2023 Robert T Morrow
Fiction Littérature Noir Suspense San Francisco
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Ce que les auditeurs disent de Bad People

Moyenne des évaluations de clients
Au global
  • 4 out of 5 stars
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  • 4 out of 5 stars
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Histoire
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  • Au global
    4 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    4 out of 5 stars

fun

The concept was really interesting, and the story was fun- it kept me engaged and entertained until the last 30 minutes when it went full Return of the King. And by that I mean it did not know which ending to pick, so it picked aaaaall of them.
The other thing is, it's set in the US. All but a couple of the characters are American. There are all of three English characters (at least two of whom were from Manchester). But everyone uses English slang/terms/phrasing. (Americans don't say rucksack, for one.) I hate that so much. It just reads as lazy editing. If you want to set your novel in another country, you should at least TRY to make it sound authentic.
And then. Ok, this is my last criticism, and it's a big one. The author's portrayal of Native Americans. Wow, it sucked. Straight up magical Indian trope. I can't. I just can't. You have a mother and daughter who were sold (?) to the maniacle Snake family, and everything about that subplot is problematic. I won't belabor the point, but when that part of the story was introduced, I deflated. It was so disappointing.
It sounds like I hated it. I didn't. The writing, for the most part, was solid. The characters were not the most fully developed, but they were interesting. And like I said, the concept was really unusual. Which leads me to the thing I found the most surprising.
The music was actually good. I was not expecting that. I dug the hillbilly ska sound. And even more surprising, the way they were placed within the story worked. Until the last 30 minutes. But still! I'd have to call it a successful experiment.

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