Byzantium
Studies in World Art, Book 17
Échec de l'ajout au panier.
Échec de l'ajout à la liste d'envies.
Échec de la suppression de la liste d’envies.
Échec du suivi du balado
Ne plus suivre le balado a échoué
Acheter pour 4,95 $
Aucun mode de paiement valide enregistré.
Nous sommes désolés. Nous ne pouvons vendre ce titre avec ce mode de paiement
-
Narrateur(s):
-
Bob Barton
-
Auteur(s):
-
Edward Lucie-Smith
À propos de cet audio
Byzantine art has a slightly odd reputation. It is regarded, on the one hand, as something remote, hieratic, and difficult. On the other hand, the word Byzantium has a very romantic ring - it lives in our minds as the name of a citadel of civilization, a place that preserved for posterity both intellectual and material treasures that would otherwise have vanished forever.
The remarkable exhibition now at the Royal Academy in London touches on both of these aspects. It is extremely rich in objects made from precious materials, such as gold or ivory, and it is equally rich in things that are usually inaccessible to all but the most intrepid and persistent travelers. As the catalog introduction points out, Byzantine art responded to the ebb and flow of often-conflicting historical forces.
©2014, 2017 Cv Publications (P)2018 Cv Publications