Necromancer is such an ugly word, but it's a title Eric Carter is stuck with. He sees ghosts, talks to the dead. He's turned it into a lucrative career, putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course. When he left LA 15 years ago, he thought he'd never go back. Too many bad memories. Too many people trying to kill him.

With the famous rhubarb festival right around the corner, small-town tensions, tempers, and godly tantrums are at an all-time high. The last thing Delaney needs is her ex-boyfriend reappearing just when she's finally caught the attention of Ryder Bailey, the one man she should never love. No, scratch that. The actual last thing she needs is a dead body washing ashore, especially since the dead body is a god.

Police Chief Delaney Reed can handle the Valkyries, werewolves, gill-men and other paranormal creatures who call the small beach town of Ordinary, Oregon their home. It’s the vacationing gods who keep her up at night. With the famous rhubarb festival right around the corner, small-town tensions, tempers, and godly tantrums are at an all-time high. The last thing Delaney needs is her ex-boyfriend reappearing just when she's finally caught the attention of Ryder Bailey, the one man she should never love.

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

Chicago, 1932. Mick Oberon may look like just another private detective, but beneath the fedora and the overcoat, he's got pointy ears and he's packing a wand.