The wry and the heartfelt join in David Rakoff's prose to resurrect that most neglected of literary virtues: wit. As he finds himself in all the far-flung hinterlands of our culture, this fish out of water winds up satirizing himself more than his subject matter, to hilarious effect.

The Best Audio Storytelling is a new collection of thirteen of the year’s best nonfiction audio stories from podcasters, radio journalists, authors, independent creators, and more. The stories within this anthology transport you to a lush garden, to life in prison, to a cruise ship bar, and even into outer space. Curated by Pushkin Industries Executive Editor Julia Barton, a longtime editor of podcasts and radio, with a foreword by lifelong audio junkie David Sedaris, The Best Audio Storytelling is a celebration of the most innovative and powerful audio storytelling of the year.

For nearly four decades, David Sedaris has faithfully kept a diary in which he records his thoughts and observations on the odd and funny events he witnesses. Anyone who has attended a live Sedaris event knows that his diary readings are often among the most joyful parts of the evening. But never before have they been available in print. Now, in Theft by Finding, Sedaris brings us his favorite entries. From deeply poignant to laugh-out-loud funny, these selections reveal with new intimacy a man longtime fans only think they know.

For more than 25 years, David Sedaris has been carving out a unique literary space, virtually creating his own genre. A Sedaris story may seem confessional, but is also highly attuned to the world outside. It opens our eyes to what is at absurd and moving about our daily existence. And it is almost impossible to listen without laughing.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.