Charity Evans wants nothing more than to leave her troubled past behind and start afresh. The teacher at a London school for orphans is encouraged to have her memories blocked by hypnotist Samuel Gladstone, but when they experience visions with an unknown third person, they realize the past can never be truly erased. And now that past is returning to haunt Charity all over again. Samuel is determined to help her, but how can a woman who trusts no man trust a hypnotist?

It’s customary for Gothic romance novels to include a mysterious girl locked in the attic. Hannah Smith just wishes she wasn’t that girl. As a narcoleptic and the companion to an earl’s daughter with a strange affliction of her own, Hannah knows she’s lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping.

This boxed set contains the first three books in C. J. Archer's popular Ministry of Curiosities series. Titles in the set include The Last Necromancer, Her Majesty's Necromancer, and Beyond the Grave. Description of The Last Necromancer: For five years, Charlotte (Charlie) Holloway has lived as a boy in the slums. But when one theft too many gets her arrested, her only means of escape lies with a dead man.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

Minerva Peabody needs a man. Unfortunately she picked the wrong one. The impoverished playwright has a dream to see her plays performed on stage, but in Elizabethan England, not only are women considered the inferior sex, they simply do not write plays. Faced with rejection after rejection, she decides to take one more chance with the most desperate theater manager in London, only this time she’ll use the cover of a man. Sucked in by a pair of bright blue eyes and impressive shoulders, she chooses Blake out of the crowd, never thinking he’ll actually play an active role in her ruse.