Two Truths and a Lie. The girls played it all the time in their cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. But the games ended the night Emma sleepily watched the others sneak out of the cabin into the darkness. The last she - or anyone - saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips. Now a rising star in the NYC art scene, Emma's paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of the very same Camp Nightingale.

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid. When Ingrid confides that the Bartholomew is not what it seems, Jules brushes it off as a harmless ghost story...until the next day, when Ingrid disappears.

Twenty-five years ago, Maggie Holt and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. Three weeks later they fled in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His horror memoir of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity — and skepticism.

Josh Baxter, the man behind the wheel, is a virtual stranger to Charlie. They met at the campus ride board, each looking to share the long drive home to Ohio. Both have good reasons for wanting to get away. For Charlie, it’s guilt and grief over the shocking murder of her best friend, who became the third victim of the man known as the Campus Killer. For Josh, it’s to help care for his sick father - or so he says.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night.

The worst thing to ever happen on Hemlock Circle occurred in Ethan Marsh’s backyard. One July night, ten-year-old Ethan and his best friend and neighbor, Billy, fell asleep in a tent set up on a manicured lawn in a quiet, quaint New Jersey cul-de-sac. In the morning, Ethan woke up alone. During the night, someone had sliced the tent open with a knife and taken Billy. He was never seen again. Thirty years later, Ethan has reluctantly returned to his childhood home. Plagued by bad dreams and insomnia, he begins to notice strange things happening in the middle of the night.

It’s the opening night of The Manor, the newest and hottest luxury resort, and no expense, small or large, has been spared. The infinity pool sparkles; the “Manor Mule” cocktail (grapefruit, ginger, vodka, and a dash of CBD oil) is being poured with a heavy hand. Everyone is wearing linen.

Juniper Baker had just graduated from high school and was deep in the throes of a summer romance when Cal and Beth Murphy, a childless couple who lived on a neighboring farm, were brutally murdered. When her younger brother became the prime suspect, June’s world collapsed. She left, promising never to return to tiny Jericho, Iowa. Until now. Officially, she’s back in town to help an ill friend. But really, she’s returned to repair her relationship with her teenage daughter, who’s been raised by Juniper’s mother and stepfather - and to solve the infamous Murphy murders.

They never considered how his wife might react, or that by the end of the summer a man would be dead. But Blakely always got her way, and the others followed her lead—even when they knew it was dead wrong. The girls had been friends from day one at Camp Pendleton, a haven for gifted children. But their senior summer was different. When Mr. Crosby, the handsome tennis coach, wound up murdered after a reckless lie, Blakely, Grace, Meg, and Thera swore themselves to secrecy. And never spoke to each other again.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

Like any enterprising woman, Bea knows what she’s worth and is determined to get all she deserves—it just so happens that what she deserves is to marry rich. Filthy rich. After years of forced instruction by her mother in the art of swindling men, a now-solo Bea wants nothing more than to close and lock the door on their sordid partnership so she can disappear safely into old-money domesticity, sealing the final phase of her escape. When Bea chooses her ultimate target in the fully loaded, thoroughly dull and blue-blooded Collin Case, she’s ready to deploy all of her tricks one last time.

For as long as she can remember, 20-year-old Finley Montgomery has been able to see into the future. She dreams about events before they occur and sees beyond the physical world, unconsciously using her power to make supernatural things happen. But Finley can't control these powers - and there's only one person who can help. So Finley moves to The Hollows, a small town in upstate New York where her grandmother lives, a renowned seer who can finally teach Finley how to use her gift.

Socially awkward Chloe Cooper divides her time between dog walking, bartending, caring for her ailing mother, and at a safe distance, watching people and inventing the stories of their lives. Like Chloe’s new neighbors: glamorous influencer Jemma Spengler and Jemma’s husband, Adam, a renowned surgeon. They’re attractive, wealthy, and in a house of open windows, so exposed.

Emma Carpenter lives in isolation with her golden retriever Laika, house-sitting an old beachfront home on the rainy Washington coast. Her only human contact is her enigmatic old neighbor, Deek, and (via text) the house’s owner, Jules. One day, she reads a poorly written—but gruesome—horror novel by the author H. G. Kane, and posts a one-star review that drags her into an online argument with none other than the author himself. Soon after, disturbing incidents start to occur at night.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.