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Flashlight

A Novel

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Flashlight

Auteur(s): Susan Choi
Narrateur(s): Eunice Wong
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À propos de cet audio

A Most Anticipated Book of the Year: Time, The Washington Post, and Literary Hub

A novel tracing a father’s disappearance across time, nations, and memory, from the author of Trust Exercise.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old.

In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, an ethnic Korean born and raised in Japan, lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to the DPRK. Her American mother, Anne, is estranged from her family after a reckless adventure in her youth. And then there is Tobias, Anne’s illegitimate son, whose reappearance in their lives will have astonishing consequences.

What really happened to Louisa’s father? Why did he take Louisa and her mother to Japan just before he disappeared? And how can we love, or make sense of our lives, when there’s so much we can’t see?

A Macmillan Audio production from Farrar, Straus and Giroux.

Fiction de genre Fiction littéraire Récits initiatiques

Ce que les critiques en disent

<p>“<i>Flashlight </i>is instantly bewitching: a mysterious family tragedy whose solution reaches beyond psychology into geopolitics. Susan Choi’s fictional investigation reveals a writer at the height of her spectacular powers.” <br><b>—Jennifer Egan, author of <i>The Candy House</i></b><br><br>“In this superbly crafted book, the fraught geopolitics of family life—the official secrets, the acts of espionage, the diplomatic failures—are set against the intimacies, grievances, conflicting memories, and unmet needs of national allegiance. Ferociously smart and full of surprises, <i>Flashlight </i>is thrilling to the last.”<br><b>—Eleanor Catton, author of <i>Birnam Wood</i></b><br><br>“In a brilliant feat of storytelling, both intimate and sweeping, Susan Choi has created a profoundly moving epic that blends a tender family portrait with a haunting examination of the Korean diaspora. <i>Flashlight </i>is that rare novel that has everything I want in fiction: gorgeous writing, fascinating characters I fell in love with, an immersive, addictive story with an ending that made me gasp, then cry. I’m in awe.”<br><b>—Angie Kim, author of <i>Happiness Falls</i></b><br><br>“<i>Flashlight </i>is a sensitive familial portrait, rigorous in its scope and complexity of feeling. Susan Choi is a master of rendering relationships with utter particularity.”<br><b>—Raven Leilani, author of <i>Luster</i></b><br><br>“I devoured <i>Flashlight</i>. Once I started reading, I couldn’t put it down, and once I finished, I couldn’t stop thinking about it. The plot builds like a symphony rising to a crescendo, full of surprise and wonder. The story is as astonishing as it is entirely plausible. Susan Choi clearly knows well the fraught geopolitics of Korea and Japan, and did her homework.”<br><b>—Barbara Demick, author of <i>Nothing to Envy</i> and <i>Daughters of the Bamboo Grove</i></b></p>
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Les plus pertinents
An inexplicably cold couple create an unnecessarily cruel and obstinate child with great intelligence, but little else to recommend her. Their story is punctuated by visits from the possibly brain damaged half brother who was the only character with any real passion or heart.

The story is intricate and well told, opening a door to a political era I had almost no knowledge of. That was interesting and also very frightening. Choi creates incredibly detailed scenes across many decades that are detailed to the degree you feel like you are watching from the sidelines.

Although I am glad I read this book, it didn’t bring me any joy or elicit any empathy for the characters I was observing.

No one to love here

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