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Flow My Tears, the Policeman Said

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Winner of the John W. Campbell Award and a Hugo and Nebula award nominee, Philip K. Dick's Flow My Tears, the Policeman Said is a rollicking chase story that combines altered reality, genetic enhancement, and drug use into a dystopian setting to create one of the most popular and enduring science fiction novels.

Jason Taverner—world-famous talk show host and man-about-town—wakes up one day to find that no one knows who he is—including the vast databases of the totalitarian government. And in a society where lack of identification is a crime, Taverner has no choice but to go on the run with a host of shady characters, including crooked cops and dealers of alien drugs. But do they know more than they are letting on? And just how can a person’s identity be erased overnight?

"Dick skillfully explores the psychological ramifications of this nightmare."—New York Times Review of Books

©1974 Philip K. Dick (P)2024 Recorded Books
Aventure Fiction de genre Fiction littéraire Science-fiction
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Flow My Tears, the Policeman Said has a great novel premise worthy of Philip K Dick. The protagonist Jason Taverner is a famous celebrity wounded by an ex girlfriend. Upon waking up he finds himself in a mysterious hotel room in a world he never existed in. The storytelling from there feels extremely logical and the protagonist asks logical questions that the reader wants answers to. How was he injured? Where are his ID cards? Why does his girlfriend not remember him? Why does one character have his musical albums but nobody else remembers him? This is by far the best quality of the novel is this systematic buildup that PKD was especially good at.

The story starts really strong and for the first half of it, it keeps the suspense going. The protagonist is really charismatic and keeps being able to talk himself out of problems. But it also feels like PKD is prone to writing situations and coming up with lame reasons for them to end. IE: The protagonist is in a police station, caught and cornered only for the novel's villain to just let him go arbitrarily. Another example: the protagonist is fitted with a tracking device after leaving the police station a second time, only for it to immediately be removed a few minutes later and all tension from the idea removed from the plot. This sort of thing happened a few times and I was very disappointed by it.

The worst part though was the ending. As strong as the mystery is, the explanation for it at the end of the book is nonsensical and weak. The reader could never have predicted it because it introduces concepts never previously mentioned. It ends up feeling like PKD was in a hurry to finish the novel. The introduction of new characters who appear for one scene and are subsequently written out feels especially amateur for a writer of PKD's stature. The worst part was the epilogue. PKD describes events that happen decades and even over 100 years after the events of the book. He waxes poetic about the biography of characters only mentioned but never actually seen. It feels bizarre to go from a book with a very intimate focused narration to one where in the last chapter abruptly changes narrative styles.

When compared to his prior work like Do Androids Dream of Electric Sheep and Ubik, those works felt like cohesive well formulated plots expertly woven with themes. With even their most minor characters always being of some major importance somewhere. They both knew how to build suspense and deliver satisfying conclusions. But I didn't get that with this one. It's really disappointing because I was deeply invested in the central mystery of the novel. But I was ultimately very underwhelmed by its execution. It has so much potential to be his best novel but ends up feeling like a middle of the road entry in his catalogue.

The performance by Jefferson Mays is really good I was very pleased with the quality of this audio book.

Extremely strong opening but weak ending

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