How to Become a Live Audio Mixer
7 Secrets of a Hollywood Live Audio Mixer Who Does Live Events Every Month!
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How to Become a Live Audio Mixer
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Narrateur(s):
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JD Kelly
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Auteur(s):
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HowExpert Press
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Mike Napoli
À propos de cet audio
This book goes through an incredible amount of info for beginning in the show business industry as a live mixer. Throughout the guide, the listener can expect to learn learn the basics of acoustics and the way that sound behaves scientifically, how equipment reacts to different environments, how to setup a stage properly, and succeed in a very competitive industry. The book is written based on real experience to get anyone looking to step foot in this industry ahead with knowledge that takes time and dedication to even begin to learn usually. After listening to this book, the listener will be able to feel confident and know what to expect as an entry level worker in show business and become a live audio mixer.
Michael Napoli (HowExpert writer) has been live mixing as an audio engineer for over two years in the Hollywood scene. He has worked musicals, rock concerts, plays, and more and it all began in high school through a dedicated technical theatre class where he picked up on audio and live mixing right away. Over the years as his ears developed and his interest grew he began producing his own music and bands as well. Today he is live mixing gigs every month, enjoying every minute of it, and he is also producing music.
©2016 HowExpert (P)2016 HowExpertCe que les auditeurs disent de How to Become a Live Audio Mixer
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Au global5 out of 5 stars
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Performance3 out of 5 stars
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Histoire4 out of 5 stars
- Adam
- 2020-03-16
Great introduction sound mixing!
If you are someone that acts in a consultant type role for situations that involve audio, where you either just need to know the basics for operation,
OR
you need to hire audio technicians and videographers
then
this is the book for you!
Personally I am an event planner, and as such we need to know enough about audio to understand what questions to ask when hiring audio technicians and renting equipment.
Many event planners will not go anywhere near the sound booth, or understand what the issue might be that is happening during an event, and just run to the technician to solve it. What makes this worse for the technician is the issue has not been communicated in a way that the technician can effectively respond to, resulting in a lot of trial and error.
But what if you knew enough to work a sound mixer for a small event, to solve problems, communicate effectively with a technician, and have intelligent conversations with both your client and audiovisual vendor?
That is what I enjoyed so much about this book is that it walks you through not only what the different aspects of audio mixing are, all the controls on the audio mixer and how they work, but solutions to the most common issues that could be the difference between a horrible attendee experience and a minor issue that is resolved quickly.
If you are an event planner and you have been afraid to learn anything about audio in the past, then you need to make the small investment in this book, and then go out and apply the concepts.
All the best with your events in the future!
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