Quiet Bea keeps her shoes polished, folds her clothes every night, and alphabetizes her books. Her rambunctious sister Min wears torn trousers and wades into ponds to collect frogspawn. Above all, Min is a storyteller who loves to chat with everyone. But one day she chokes, and the words forming in her mouth never make it out. Words suddenly feel dangerous, unwieldy. Min is no longer herself—not with some strange creature stealing her words, a creature not even her sister can see. But that doesn’t matter, because Bea sees Min.

Following the deaths of her husband and son, Helen Cartwright returns to the English village of her childhood after living abroad for six decades. Her only wish is to die quickly and without fuss. Helen retreats into her home on Westminster Crescent, becoming a creature of routine and habit. Then, one cold autumn night, a chance encounter with an abandoned pet mouse on the street outside her house sets Helen on a surprising journey of friendship.

Born in 1905, Daisy Goodwill Flett drifts through the chapters of childhood, marriage, widowhood, remarriage, motherhood, and old age, bewildered by her inability to understand her own role in the unsettled decades of the twentieth century. At last, reflecting on her unobserved and unconventional life, Daisy attempts to find a way to tell her story within a novel that is itself about the limitations of autobiography.

A desperate murder committed by Angela Miller’s mother tore Angela’s life apart and brought her to Martha’s Vineyard to live with her wealthy grandparents. It’s where her cousin, Kiki King, was born and raised, and Kiki now wants nothing more than to see the world beyond its sandy perimeter. Kiki’s mother escaped it. She took a late-night swim off Tashmoo Beach and was never seen again.

Sophie Dix fled Stuttgart with her brother as the Nazi regime gained power in Germany. Now, with her brother gone and her adopted home city of Paris conquered by the Reich, Sophie reluctantly accepts a position restoring damaged art at the Jeu de Paume museum under the supervision of the ERR—a German art commission using the museum as a repository for art they’ve looted from Jewish families.