Gratuit avec l'essai de 30 jours
-
Ingres
- Studies in World Art, Book 37
- Narrateur(s): James Hill
- Durée: 10 min
Échec de l'ajout au panier.
Échec de l'ajout à la liste d'envies.
Échec de la suppression de la liste d’envies.
Échec du suivi du balado
Ne plus suivre le balado a échoué
Acheter pour 4,95 $
Aucun mode de paiement valide enregistré.
Nous sommes désolés. Nous ne pouvons vendre ce titre avec ce mode de paiement
Description
The great Ingres exhibition now at the Louvre is one of those big swagger events that the French arts bureaucracy continues to do very well, even at a time when the cultural supremacy of Paris has long vanished. It tells you almost everything you might want to know about the artist, and even a bit more. What it doesn’t do is to solve the mystery of Ingres’ personality.
He was a supreme bourgeois who also succeeded in being one of the supreme rebels of 19th-century art - or indeed, the art of any other period one might care to name. Like Caravaggio, his opposite in most respects, he is historically recalcitrant, by which I mean that he seems eternally of the present moment, forever ready to shock, either in one way or in another. He never takes quite the direction one expects.