Magical Thinking: Why the Avant-Garde Is Now History
Studies in World Art, Book 140
Échec de l'ajout au panier.
Échec de l'ajout à la liste d'envies.
Échec de la suppression de la liste d’envies.
Échec du suivi du balado
Ne plus suivre le balado a échoué
Magical Thinking: Why the Avant-Garde Is Now History
Acheter pour 8,71 $
Aucun mode de paiement valide enregistré.
Nous sommes désolés. Nous ne pouvons vendre ce titre avec ce mode de paiement
-
Narrateur(s):
-
Jack Wynters
-
Auteur(s):
-
Edward Lucie-Smith
À propos de cet audio
The word avant-garde, so much used in connection with the various manifestations of contemporary art, is starting to have a strange, ironic ring to it. One might even claim that it is starting to signify what is behind the times, rather than in front of them.
Like all such terms, it is in fact a metaphor, rather than a direct description. Borrowed from old-fashioned military terminology, it seeks to describe a situation where social norms are being perpetually challenged by artists. In the military sphere, where it originated, it is long out of use. Armies no longer marshal themselves in regular formations of the battlefield. There is now no recognized grammar of warfare - any more than (come to think of it) there is a recognized grammar of art. The mantra now is: "It’s art because I say it’s art!" In these circumstances, it is increasingly difficult to define what is positioned ahead of what - who is at the head of the column and who is near he tail end of it.
©2014, 2017 Cv Publications (P)2018 Cv Publications