Malleable Forms
Selected Essays
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Malleable Forms
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Narrateur(s):
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Meeka Walsh
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Auteur(s):
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Meeka Walsh
À propos de cet audio
For 30 years Meeka Walsh has been the Editor of the Canadian art magazine, Border Crossings. A selection of her much-admired essays published in each issue of that magazine have been selected for this substantial book.
“Kim Gordon: Star Turns” examines the memoir of Sonic Youth’s Kim Gordon and takes the listener on a trip that includes surprising links between Gordon and Ab Ex painter Robert Motherwell. “Rilke: Speaking Longing” measures the poetic sensibilities of Rainer Maria Rilke, Cynthia Ozick, and Vladimir Nabokov. “Say Bird: A Consideration of Interspecies Romance” describes the romantic tale of a courtship between a woman and a blue jay.
Noted international critic and art writer, Barry Schwabsky, has written an introductory essay. The persistent engagement of memory winds through the book and resonant is EM Forster’s dictum, “Only connect.” Walsh makes her particular kind of connections throughout.
©2022 Meeka Walsh (P)2023 ARP BooksCe que les critiques en disent
“With this collection of forty-seven pieces on literature, painting, photography, music, and a multitude of other fascinations, hauntings, and obsessions, Meeka Walsh stakes out a position as one of today’s most omnivorous and original lyric-essayists. Her restless polymathic mind leaps from one artist and discipline to another in always-unlikely permutations of inquiry and engagement. Her curiosity operates within a complicated architecture of deeply felt personal experience, while her vivid inhabitation of myths built-in her earliest childhood explains her relationship to the world and art. Her work is airborne, bearing aloft Robert Frank, Walter Benjamin, Fleur Jaeggy, Clarice Lispector, Rilke, and Caravaggio on flights that never fail to nail their landings. Walsh’s departed parents and grandparents and her beloved ghosts of the diaspora are never far from her thoughts. She bounces her reactions off those who came before, off the people and places who made her. In line after line, page after page, piece after piece, she makes us realize we are all writing our own artful autobiographies. She is a writer in mad, mad love with art. I love this book!”—Guy Maddin