The Decline of the West - Volume 1 published in 1917, Volume 2 in 1922 - has exercised and challenged opinion ever since. It was a huge undertaking by Oswald Spengler (1880-1936), formerly an unpublished historian and philosopher who set out to radically reconsider history - the rise and fall of world civilisations and their cultures. His primary view was to reject the established Eurocentric paradigm (ancient/classical, Medieval - and, following the Renaissance - modern) and to take a totally new perspective.

With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt Against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent dimension of being.

This important survey of alchemical symbols and doctrines sets forth the mysterious worldview and teachings of the practitioners of the "royal art." One of the leading exponents of the Hermetic tradition, Julius Evola demonstrates the singularity of subject matter that lies behind the words of all adepts in all ages, showing how alchemy—often misunderstood as primitive chemistry or a mere template for the Jungian process of "individuation"—is nothing less than a universal secret science of human and natural transformation.

These essays, originally written by Evola during the 1930s and '40s, deal with war from a spiritual and heroic perspective. Evola selects specific examples from the Nordic, Vedic, Roman, Persian, Islamic, and other traditions to demonstrate how traditionalists can prepare themselves to experience war in a way that will allow them to overcome the limited possibilities offered by our materialistic and degraded age, thereby transcending the Age of Kali and entering the world of heroism.

Julius Evola’s final major work, which examines the prototype of the human being who can give absolute meaning to his or her life in a world of dissolution.