Mutiny
Penguin Poets
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Mutiny
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Narrateur(s):
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Phillip B. Williams
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Auteur(s):
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Phillip B. Williams
À propos de cet audio
Winner of the 2022 American Book Award
Finalist for the PEN/Voelcker Award for Poetry
Longlisted for the PEN/Jean Stein Book Award
Finalist for Publishing Triangle’s Thom Gunn Award for Gay Poetry
Named one of the Best Books of 2021 by The Boston Globe and Lit Hub
From the critically acclaimed author of Thief in the Interior who writes with "a lucid, unmitigated humanity" (Boston Review), a startling new collection about revolt and renewal
Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and Western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy. With a ferocity that belies the tenderness and vulnerability at the heart of this remarkable collection, Williams honors the transformative power of anger, and the clarity that comes from allowing that anger to burn clean.
©2021 Phillip B. Williams (P)2021 Penguin AudioCe que les critiques en disent
“The mutiny that gives Williams’s second collection its title is a wholesale rebellion against a culture that too often erases Black queerness; with punchy lines and formal play, the poems here make equal room for rage and tenderness.” (The New York Times Book Review)
“Williams honors the power of rage.” (Essence)
“Williams’s dense and intellectually ambitious second effort folds in triple rhyme, Shakespeare and Wallace Stevens, slave ship manifests, action sequences, erotic couplings, the music of Nina Simone, and a self-conscious long poem in which Williams ‘tried to rewrite’ T. S. Eliot. It’s a volume with something for everyone, justice for no one, and minor shocks everywhere.”—The Boston Globe