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Stealing Rembrandts

The Untold Stories of Notorious Art Heists

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Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted.

In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves-even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces.

Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.

©2011 Anthony M. Amore and Tom Mashberg (P)2023 Tantor
Art Criminologie Histoire et critique de l'art Sciences sociales True Crime Vols et cambriolages Crime Boston Vol
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If you have read about and followed the most famous art heist cases, you’ll find a lot here that you already know, that was certainly the case for me, yet I still found enough new content to keep my attention. Some was looking at particular heists from a new perspective, and some was hearing about “lesser” heists. The book has something else unique, in that it focuses on Rembrandt heists: what makes them a target, biographical information on the artist and his techniques, as well as his many self-portraits. This was all new to me. Would have been made better with a PDF accompaniment with schematics of the target museums and targeted Rembrandts in the public domain. 4.5/5

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