Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most.

If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leap­ing to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party - lots of jokes here. Plenty of laughs.

If you've ever laughed your way through David Sedaris's cheerfully misanthropic stories, you might think you know what you're getting with Calypso. You'd be wrong. When he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. And it's as idyllic as he imagined, except for one tiny, vexing realization: it's impossible to take a vacation from yourself. With Calypso, Sedaris sets his formidable powers of observation - and dark humor - toward middle age and mortality.

Once again, David Sedaris brings together a collection of essays so uproariously funny and profoundly moving that his legions of fans will fall for him all over again. He tests the limits of love when Hugh lances a boil from his backside, and pushes the boundaries of laziness when, finding the water shut off in his house in Normandy, he looks to the water in a vase of fresh cut flowers to fill the coffee machine.

From the unique perspective of David Sedaris comes a new collection of essays taking his listeners on a bizarre and stimulating world tour. From the perils of French dentistry to the eating habits of the Australian kookaburra, from the squat-style toilets of Beijing to the particular wilderness of a North Carolina Costco, we learn about the absurdity and delight of a curious traveler's experiences.

In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives, a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim is another unforgettable collection from one of the wittiest and most original writers at work today.

Welcome to the hilarious, strange, elegiac, outrageous world of David Sedaris. In Naked, Sedaris turns the current mania for the memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview, a sensibility at once take-no-prisoners sharp and deeply charitable.

In David Sedaris' world, no one is safe and no cow is sacred. A manic cross between Mark Leyner, Fran Lebowitz, and the National Enquirer, Sedaris' collection of essays is a rollicking tour through the national Zeitgeist: a do-it-yourself suburban dad saves money by performing home surgery; a man who is loved too much flees the heavyweight champion of the world; a teenage suicide tries to incite a lynch mob at her funeral; a bitter Santa abuses the elves.

David Sedaris' collection of essays - including live recordings! - tells a most unconventional life story. With every clever turn of a phrase, Sedaris brings a view and a voice like no other to every unforgettable encounter. You can also listen to Sedaris in an interview with Terry Gross on Fresh Air.

If you are driving, pull over. If you are at work, close your door, unless you don't mind your colleagues seeing you doubled over, in tears, on your office floor. With this recording, taped before a delirious sold out audience at Carnegie Hall, you are there as David Sedaris performs new stories from his upcoming book. A parrot who mimics an ice maker, lovers quarreling over a rubber hand, and a Santa Claus who moonlights from his job as bishop of Turkey, the cast of characters is like no other.

Den betörend geheimnisvollen Namen "Calypso" teilen sich unter anderem eine griechische Meeresnymphe, ein afrikanisch-karibischer Tanzrhythmus und ein Saturnmond. Fragt man David Sedaris, ist Calypso ein besonders bescheuerter Name für eine Katze. Aber auch ein betörend geheimnisvoller Titel für die lang erwartete neue Geschichtensammlung eines der erfolgreichsten Humoristen unserer Zeit, der es wie kein anderer versteht, zarte Schönheit im Hässlichen zu entdecken und die banale Komik des schönen Scheins zu entlarven.

David Sedaris's beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favorites as the diaries of a Macy's elf and the annals of two very competitive families, are Sedaris's tales of tardy trick-or-treaters ("Us and Them"); the difficulties of explaining the Easter Bunny to the French ("Jesus Shaves"); and what to do when you've been locked out in a snowstorm ("Let It Snow").

The Best Audio Storytelling is a new collection of thirteen of the year’s best nonfiction audio stories from podcasters, radio journalists, authors, independent creators, and more. The stories within this anthology transport you to a lush garden, to life in prison, to a cruise ship bar, and even into outer space. Curated by Pushkin Industries Executive Editor Julia Barton, a longtime editor of podcasts and radio, with a foreword by lifelong audio junkie David Sedaris, The Best Audio Storytelling is a celebration of the most innovative and powerful audio storytelling of the year.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman.

David Rakoff's best-selling collection of autobiographical essays, Fraud, established him as one of today's funniest and most insightful writers. Now, in Don't Get Too Comfortable, Rakoff moves from the personal to the public, journeying into the land of unchecked plenty that is contemporary America. Rarely have greed, vanity, selfishness, and vapidity been so mercilessly and wittily skewered.