Australia, 1906: Orphan Jane Piper is nine years old when philanthropist siblings Michael and Elizabeth Quinn take her into their home to further her schooling. The Quinns are no strangers to hardship. Having arrived in Australia as penniless immigrants, they now care for others as lost as they once were. Despite Jane’s mysterious past, her remarkable aptitude for mathematics takes her far over the next seven years, and her relationship with Elizabeth and Michael flourishes as she plays an increasingly prominent part in their business.

August 1939: London is dismal under the weight of impending war with Germany as Hitler’s forces continue to sweep across Europe. Into this uncertain maelstrom steps Grace Bennett, young and ready for a fresh start in the bustling city streets she’s always dreamed of - and miles away from her troubled past in the countryside. With aspirations of working at a department store, Grace never imagined she’d wind up employed at Primrose Hill, an offbeat bookshop nestled in the heart of the city - after all, she’s never been much of a reader.

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words discarded or neglected by the dictionary men.

Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance.

Food critic Tempèsta Luddington has always felt like the odd person out in her family, ever since she lost her beloved mother at the tender age of thirteen. When her workaholic father passes fifteen years later, Tempèsta is not surprised that the majority of the considerable family money will pass to her dutiful younger brother, Wal. Still, she is left a modest remembrance from her mother, and for the first time Tempèsta has a world of choices before her.

January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why.

Sophie Dix fled Stuttgart with her brother as the Nazi regime gained power in Germany. Now, with her brother gone and her adopted home city of Paris conquered by the Reich, Sophie reluctantly accepts a position restoring damaged art at the Jeu de Paume museum under the supervision of the ERR—a German art commission using the museum as a repository for art they’ve looted from Jewish families.

With this updated edition of his earlier book, A Place of My Own, listeners can revisit the inspired, intelligent, and often hilarious story of Pollan’s realization of a room of his own—a small, wooden hut, his “shelter for daydreams” — built with his admittedly unhandy hands. Inspired by both Thoreau and Mr. Blandings, A Place of My Own not only works to convey the history and meaning of all human building, it also marks the connections between our bodies, our minds, and the natural world.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

Heartfelt, powerfully engaging, and in the tradition of Anthony Doerr’s All the Light We Cannot See, this is a work of storytelling bravado: a thrilling action-packed art heist, an imaginative chronicle of forgotten history, and a poignant coming-of-age epic where a child navigates one of the most morally complex fronts of World War II and lives to tell the tale.