Australia, 1906: Orphan Jane Piper is nine years old when philanthropist siblings Michael and Elizabeth Quinn take her into their home to further her schooling. The Quinns are no strangers to hardship. Having arrived in Australia as penniless immigrants, they now care for others as lost as they once were. Despite Jane’s mysterious past, her remarkable aptitude for mathematics takes her far over the next seven years, and her relationship with Elizabeth and Michael flourishes as she plays an increasingly prominent part in their business.

August 1939: London is dismal under the weight of impending war with Germany as Hitler’s forces continue to sweep across Europe. Into this uncertain maelstrom steps Grace Bennett, young and ready for a fresh start in the bustling city streets she’s always dreamed of - and miles away from her troubled past in the countryside. With aspirations of working at a department store, Grace never imagined she’d wind up employed at Primrose Hill, an offbeat bookshop nestled in the heart of the city - after all, she’s never been much of a reader.

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words discarded or neglected by the dictionary men.

Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance.

Kiara and her brother, Marcus, are barely scraping by in a squalid East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent—which has more than doubled—and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed.

Rainey’s grandmother makes a startling request: Take me home. To Ireland, the country she fled post-World War II. Though they’re inseparably close, Rainey knows few of her grandmother’s secrets. Until they arrive at Aisling—the majestic estate on the southern coast of Ireland where her grandmother was raised—and Rainey discovers a collection of seventy-year-old letters in a trunk.

January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why.

Sophie Dix fled Stuttgart with her brother as the Nazi regime gained power in Germany. Now, with her brother gone and her adopted home city of Paris conquered by the Reich, Sophie reluctantly accepts a position restoring damaged art at the Jeu de Paume museum under the supervision of the ERR—a German art commission using the museum as a repository for art they’ve looted from Jewish families.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

With this updated edition of his earlier book, A Place of My Own, listeners can revisit the inspired, intelligent, and often hilarious story of Pollan’s realization of a room of his own—a small, wooden hut, his “shelter for daydreams” — built with his admittedly unhandy hands. Inspired by both Thoreau and Mr. Blandings, A Place of My Own not only works to convey the history and meaning of all human building, it also marks the connections between our bodies, our minds, and the natural world.

Beverly Underwood and her arch enemy, Lula Dean, live in the tiny town of Troy, Georgia, where they were born and raised. Now Beverly is on the school board, and Lula has become a local celebrity by embarking on mission to rid the public libraries of all inappropriate books—none of which she’s actually read. To replace the “pornographic” books she’s challenged at the local public library, Lula starts her own lending library in front of her home: a cute wooden hutch with glass doors and neat rows of the worthy literature that she’s sure the town’s readers need.

As 1754 is drawing to a close, tensions between the French and the British on Canada’s Acadian shore are reaching a fever pitch. Seamstress Sylvie Galant and her family—French-speaking Acadians wishing to remain neutral—are caught in the middle, their land positioned between two forts flying rival flags. Amid preparations for the celebration of Noël, the talk is of unrest, coming war, and William Blackburn, the British Army Ranger raising havoc across North America’s borderlands.

It is 1936, and Nancy Wake is an intrepid Australian expat living in Paris who has bluffed her way into a reporting job for Hearst newspaper when she meets the wealthy French industrialist Henri Fiocca. No sooner does Henri sweep Nancy off her feet and convince her to become Mrs. Fiocca than the Germans invade France and she takes yet another name: a code name. As Lucienne Carlier, Nancy smuggles people and documents across the border and earns a new nickname from the Gestapo for her remarkable ability to evade capture: The White Mouse.

Heartfelt, powerfully engaging, and in the tradition of Anthony Doerr’s All the Light We Cannot See, this is a work of storytelling bravado: a thrilling action-packed art heist, an imaginative chronicle of forgotten history, and a poignant coming-of-age epic where a child navigates one of the most morally complex fronts of World War II and lives to tell the tale.

A group of young women from Smith College risk their lives in France at the height of World War I in this sweeping novel based on a true story - a skillful blend of Call the Midwife and The Alice Network - from New York Times best-selling author Lauren Willig.