In this 2018 New York Times Notable Book,Paige Williams "does for fossils what Susan Orlean did for orchids" (Book Riot) in her account of one Florida man's attempt to sell a dinosaur skeleton from Mongolia—a story "steeped in natural history, human nature, commerce, crime, science, and politics" (Rebecca Skloot).

After being fired from his last two jobs, Ryan Clark lands an associate position with a law firm run by his distant cousin, Tom, in a small North Carolina town. Over twenty-five years earlier, Tom represented local man Joe Moore when he was convicted of murder in the deaths of a prominent young couple. Even though the evidence was circumstantial, Joe was high on drugs and doesn't remember the details of the crime. He never seriously questioned his own guilt, but Joe's family remains unconvinced of his guilt, and they hire Ryan and Tom to file a motion to obtain Joe's release.

Jill Ellington's twin sister hasn't spoken a word since she allegedly murdered her husband, and her three-year-old son is missing. No one in the small, idyllic town of Paradise saw or heard a single thing. The chief of police already has Jill's twin convicted and her nephew dead and buried. Jill is going to need a miracle to uncover the truth.

Ruby Young's new Boston apartment comes with all the usual perks. Windows facing the brick wall of the next-door building. Heat that barely works. A malfunctioning buzzer. Noisy neighbors. A dead body on the sidewalk outside. And of course, a ghost. Since Cordelia Graves died in her apartment a few months ago, she's kept up her residency, despite being bored out of her (non-tangible) skull and frustrated by her new roommate. When her across-the-hall neighbor, Jake Macintyre, is shot and killed in an apparent mugging gone wrong outside their building, Cordelia is convinced there’s more to it.

Ten years ago, legendary author Riley Cannon produced three of the best-selling thriller novels of all-time. Then, she vanished, leaving the final three books of the saga unfinished and producing the biggest mystery in the history of publishing. Now, a decade later, there is word from her mega-agent, the glamorous and powerful Topaz Kennedy, that a new Cannon novel is all-but-finished. But, Topaz knows the truth: Riley Cannon hasn’t even started the book. With the clock counting down to the publication date, desperate measures are needed.

Gemma Guillory has lived in the Australian Outback enclave of Rainier her entire life. She knows the tiny, red-dust town’s ins and outs by heart, knows the people like they are her family, their quirks as if they were her own. She also knows her once charming town is now remembered for one reason and one reason only: three innocent people died there at the hands of a serial killer. The last stop on the Rainier Ripper’s trail of deaths fifteen years ago was her picturesque little tea shop.

Dorothy Graham is dead, which is inconvenient, not least for her. Luckily, she has planned for this eventuality. Now, if any of the truly dreadful people she is related to want to get their hands on her money, they’re going to have to do so via a fiendish difficult and frankly bizarre competition of Dorothy’s devising. After all, just because you’re dead, it doesn’t mean you can’t enjoy a last laugh at the expense of people who made your life miserable.

Socially awkward Chloe Cooper divides her time between dog walking, bartending, caring for her ailing mother, and at a safe distance, watching people and inventing the stories of their lives. Like Chloe’s new neighbors: glamorous influencer Jemma Spengler and Jemma’s husband, Adam, a renowned surgeon. They’re attractive, wealthy, and in a house of open windows, so exposed.

When a boy is found dead with the skin of a hare’s head in his hand, everyone knows who killed him—Willis Newland, just released from prison after serving twenty years for an identical murder. But what if everyone’s wrong? Detective Colly Newland reluctantly agrees to investigate a case that seems to involve the whole town, including her dead husband’s extended family. But the deeper she digs, the more secrets she unearths.

When buried bones are unearthed by a storm in North Yorkshire’s picturesque coastal town of Whitby, Black is drawn into an investigation that takes him back to the late eighties and the fiery demise of a popular pub. Frank is no stranger to vulnerability. With a shattered daughter, he lives with it. With an outsider in Detective Inspector Gerry Carver, he works with it. And in Charlotte Wilson, a young, eighteen-year-old musician discarded and buried near the old whalebones of Whitby, he recognizes it.

Kathryn Walker enjoys an enviable life. Her husband is an accomplished doctor, her children are bright and successful, and she devotes herself to charity work that uplifts her Suburban Colorado community. Settling into a new year, her life couldn’t be better. . . Until April.

This "rediscovered" Sherlock Holmes adventure recounts the unique collaboration of Holmes and Sigmund Freud in the solution of a mystery on which the lives of millions may depend.

Sabrina Adams thought her luck had finally turned around when she was hired as a librarian for the wealthy Dorsey family. But as soon as she arrives at their elegant estate, she senses something is off. They have cameras everywhere. She’s banned from the third floor, and she spotted someone watching the house from the nearby woods. And why does the housekeeper, Mrs Manning, insist on so many rules?

In December 1926, Agatha Christie goes missing. Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car - strange for a frigid night. Her World War I veteran husband and her daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.