From award-winning, best-selling author Wayne Grady comes The Good Father, his first contemporary novel, which comically and tragically reckons with a father and daughter's estrangement, the failures brought on by hubris, the limits of perception, and the price we pay for second chances.

Every story has two sides, two perspectives. And when it comes to a relationship between a daughter and her father, separated first by divorce and then by both generational gaps and physical and emotional distance, those perspectives can colossally diverge.

Such is the case with Harry Bowes and his only daughter, Daphne. Harry is a mild-mannered journalist turned teacher turned wine merchant who is content to putter around his home in Toronto eating things straight out of the fridge that both his doctor and his second wife, Elinor, would disapprove of, and procrastinate calling his daughter even though he senses something is amiss. Meanwhile, in Vancouver, Daphne seems intent on a course of nihilism, having gone from being a loving girl to a top student to a hostile young woman who is determined to destroy her life and relationships by self-medicating with drugs and alcohol. When a catastrophic event wrenches them out of their states, one of stasis and one of chaos, Harry and Daphne are forced to examine the ways in which their self-absorption has eroded their connection and discover whether a family's bond is truly ironclad or if their damage is irreparable.

Told in alternating perspectives, The Good Father delivers a deeply satisfying and layered novel of love, perception, family, and domesticity. Propelled by regret, compassion, frustration, and comfort, this novel gives us Wayne Grady at the height of his powers.