The Grief of Stones
Book Two of the Cemeteries of Amalo Trilogy
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Narrateur(s):
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Liam Gerrard
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Auteur(s):
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Katherine Addison
À propos de cet audio
Locus Awards - Nominee, Short-listed
"The audiobook narrated by Liam Gerrard perfectly captures Celehar’s voice."—Buzzfeed on The Grief of Stones
In The Grief of Stones, Katherine Addison returns to the world of The Goblin Emperor with a direct sequel to The Witness For The Dead...
Celehar’s life as the Witness for the Dead of Amalo grows less isolated as his circle of friends grows larger. He has been given an apprentice to teach, and he has stumbled over a scandal of the city—the foundling girls. Orphans with no family to claim them and no funds to buy an apprenticeship. Foundling boys go to the Prelacies; foundling girls are sold into service, or worse.
At once touching and shattering, Celehar’s witnessing for one of these girls will lead him into the depths of his own losses.
The love of his friends will lead him out again.
A Macmillan Audio production from Tor Books
©2022 Katherine Addison (P)2022 Macmillan AudioVous pourriez aussi aimer...
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Au global
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Performance
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Histoire
When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father’s Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin.
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Au global
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Performance
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Histoire
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Ce que les auditeurs disent de The Grief of Stones
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Au global
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Performance
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Histoire
- Amazon Customer
- 2023-10-03
very interesting narrative
You can tell that Katherine has established her favourite character in her universe by now. He's a sort of more humble Columbo who can show his weaknesses.
The story progresses at a pace that isn't fixed for prescribed like a typical three act structure. We get different stories and interactions, with his work interjecting along the way.
I'm not saying the story is perfect, but it is a nice change of pace from what I usually expect a story to do. It's also nice to see a protagonist who's also blindsided by surprises that aren't simply a writer hand waiving and pretending there's a "gotcha" moment to the audience with something they couldn't expect or didn't have any hints along the way.
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