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The Lost Books of the Odyssey

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The Lost Books of the Odyssey

Auteur(s): Zachary Mason
Narrateur(s): Simon Vance
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À propos de cet audio

A BRILLIANT AND BEGUILING REIMAGINING OF ONE OF OUR GREATEST MYTHS BY A GIFTED YOUNG WRITER

Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary book that marks the emergence of an extraordinary new talent.

Cover and title design by Chin-Yee Lai.

©2010 Zachary Mason (P)2010 Macmillan Audio
Fantastique Fiction Fiction littéraire Historique Classiques
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Ce que les critiques en disent

“Though Simon Vance doesn't play a lute, he is a bard, or maybe the Classics professor everyone wishes to have had, as he spins these revisionist tales of Odysseus and his travels.” —AudioFile

“[A] dazzling debut . . . Stunning and hypnotic . . . Mr. Mason . . . has written a series of jazzy, post-modernist variations on the Odyssey, and in doing so he's created an ingeniously Borgesian novel that's witty, playful, moving and tirelessly inventive . . . This is a book that not only addresses the themes of Homer's classic--the dangers of pride, the protean nature of identity, the tryst between fate and free will--but also poses new questions to the reader about art and originality and the nature of storytelling.” —Michiko Kakutani, The New York Times

“[The Lost Books of the Odyssey] is, to my surprise, a wonderful book. I had expected it to be rather preening, and probably thin. But it is intelligent, absorbing, wonderfully written, and perhaps the most revelatory and brilliant prose encounter with Homer since James Joyce.” —Simon Goldhill, The Times Literary Supplement

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