The Quantum Thief
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Narrateur(s):
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Scott Brick
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Auteur(s):
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Hannu Rajaniemi
À propos de cet audio
The Quantum Thief is a Kirkus Reviews Best of 2011 Science Fiction & Fantasy title. One of Library Journal's Best SF/Fantasy Books of 2011.
Jean le Flambeur is a post-human criminal, mind burglar, confidence artist, and trickster. His origins are shrouded in mystery, but his exploits are known throughout the Heterarchy - from breaking into the vast Zeusbrains of the Inner System to stealing rare Earth antiques from the aristocrats of Mars. Now he’s confined inside the Dilemma Prison, where every day he has to get up and kill himself before his other self can kill him. Rescued by the mysterious Mieli and her flirtatious spacecraft, Jean is taken to the Oubliette, the Moving City of Mars, where time is currency, memories are treasures, and a moon-turned-singularity lights the night.
What Mieli offers is the chance to win back his freedom and the powers of his old self - in exchange for finishing the one heist he never quite managed. As Jean undertakes a series of capers on behalf of Mieli and her mysterious masters, elsewhere in the Oubliette, investigator Isidore Beautrelet is called in to investigate the murder of a chocolatier, and finds himself on the trail of an arch-criminal, a man named le Flambeur....
The Quantum Thief is a crazy joyride through the solar system several centuries hence, a world of marching cities, ubiquitous public-key encryption, people communicating by sharing memories, and a race of hyper-advanced humans who originated as MMORPG guild members. But for all its wonders, it is also a story powered by very human motives of betrayal, revenge, and jealousy. It is a stunning debut.
©2010 Hanni Rajaniemi (P)2011 Macmillan AudioCe que les critiques en disent
Ce que les auditeurs disent de The Quantum Thief
Moyenne des évaluations de clientsÉvaluations – Cliquez sur les onglets pour changer la source des évaluations.
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Au global
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Performance
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Histoire
- Mike Reiter
- 2022-01-13
Confusing of you don't stick it out
This book starts off interesting, a prisoner is incarcerated and forced to play the prisoner's dilemma repeatedly. He is broken out for a job.
I don't want to add spoilers, there is a thief, a detective the Cryptarcs and some other factions. The thief is taken to the Oubliette, which is a moving city on Mars. People have obtained a sort of immortality. They live their human life, then their consciousness is pressed into service running the cities machinery and they are called "the Quiet", and then at some point they are put back into bodies. This repeats as a cycle. People have personal devices that lets them share memories and see faces only to the extent that both parties agree.
The narrator is ok. Nothing ever feels urgent. It is unclear if that is by design or not. The technology isn't really explained until the end, which is ok, but once you know how it is supposed to work, it doesn't actually make any sense. Rather than world building it feels like the convoluted technology was just put in place to create obscure plot points. Silly things like nobody can see my face if I set my givalot device to private, but they could just take my picture and look at the picture, and then they would know what I look like. They have AI but yet for some reason have to press these consciousnesses into service. The technology imposes opportunities and obstacles to create the plot but then are easily circumvented later.
It was interesting enough for me to listen to the whole thing, but when it was over I felt there could have been a better use of my time. I may or may not get the next book. Now that world has been established, it might have a stronger story?
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Au global
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Performance
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Histoire
- J E
- 2018-07-13
Wonderful, imaginative post-singularity sci-fi
With a fantastic narration by Scott Brick. Having a narrator that navigates through Rajaniemi's inventive terminology as if it's 'commonly known' helps paint the world. The expression he emulates for each character makes it feel that much more real. Looking forward to book 2.
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