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What We Talk About When We Talk About Anne Frank

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What We Talk About When We Talk About Anne Frank

Auteur(s): Nathan Englander
Narrateur(s): Mark Bramhall, Kirbey Heyborne, Lincoln Hoppe, Arthur Morey, Lorna Raver, John Rubenstein, Fred Sanders
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These eight new stories from the celebrated novelist and short-story writer Nathan Englander display a gifted young author grappling with the great questions of modern life, with a command of language and the imagination that place Englander at the very forefront of contemporary American fiction.

The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.

Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

©2012 Nathan Englander (P)2012 Random House Audio
Anthologies et nouvelles Fiction Fiction littéraire Fiction policière Justice des justiciers Littérature mondiale Nouvelle holocauste
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Ce que les critiques en disent

"Englander's new collection of stories tells the tangled truth of life in prose that, as ever, surprises the reader with its gnarled beauty…. Certifiable masterpieces of contemporary short-story art." (Michael Chabon)
"A resounding testament to the power of the short story from a master of the form. Englander's latest hooks you with the same irresistible intimacy, immediacy and deliciousness of stumbling in on a heated altercation that is absolutely none of your business; it's what great fiction is all about." (Téa Obreht)
"It takes an exceptional combination of moral humility and moral assurance to integrate fine-grained comedy and large-scale tragedy as daringly as Nathan Englander does." (Jonathan Franzen)

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