Start spreading the news... Jason is leaving Crystal Lake today!

In this episode of the 80s Flick Flashback Podcast, Tim Williams and guest co-hosts Charlie Cotter, Nicholas Pepin, and Laramy Wells punch their tickets for the SS Lazarus to discuss the eighth installment of the legendary slasher franchise: Friday the 13th Part VIII: Jason Takes Manhattan.

It’s the movie that promised the Big Apple but mostly delivered a big boat. They dive deep into the murky waters of this 1989 sequel to discuss the bizarre plot holes, the confusing geography, and the sheer absurdity of Jason Voorhees stalking Times Square.

In this episode, they unpack:

• 🚢 The "Manhattan" Myth: Discussing the infamous decision to set most of the film on a cruise ship (and Vancouver).

• 💀 The Kills: From the "boxing match" to the toxic waste dip—they rank the unique death sequences.

• 🎭 Jason's Evolution: How the character changed by the end of the 80s and the performance behind the mask.

• 📉 The Franchise Fatigue: A look at the box office numbers and why this film put the series on hiatus.

• 🎬 Trivia & Plot Holes: The teleporting Jason, the inexplicable toxic waste in the sewers, and more behind-the-scenes facts.

Is this the film that jumped the shark, or is it a misunderstood campy classic? Grab your hockey mask and join the debate!

Here are some additional behind-the-scenes trivia we were unable to cover in this episode:

In the original script, when Jason arrives at the dock, a dog begins barking at him, prompting him to kick it. However, Kane Hodder, who portrayed Jason, felt that kicking the dog was excessive, leading to the scene being removed from the final cut.

In the rooftop scene where Julius punches Jason, Kane Hodder, a renowned stuntman, instructed actor V.C. Dupree to deliver a powerful blow. Hodder aimed to ensure the punches appeared authentic. By the time they reached the iconic “knockout” shot, Dupree was so exhausted that the expression of defeat on his face was entirely genuine.

In an interview with Fangoria Magazine (August 1989), Kane Hodder revealed that the vomiting scene in the final act was not a special effect. Instead, it was a real occurrence, as Hodder had consumed several pitchers of water beforehand.

Sources:

Wikipedia, IMDB

Some sections were composed by ChatGPT

We'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.

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How did a low-budget comedy about inept cadets spawn a massive franchise? In this episode of 80s Flick Flashback, Tim Williams is joined by Chad Sheppard, Laramy Wells, and Robby Retro to crack the case on Police Academy.

We dive deep into the precinct to explore:

• The Origin Story: First impressions and personal connections to the franchise.

• Casting Magic: How the ensemble cast—from Steve Guttenberg to the iconic "Sound Effects Guy"—was assembled.

• Character Deep Dive: A spotlight on the legendary performances that defined the decade.

• The Verdict: We rate the rewatchability and discuss where Police Academy ranks in our nostalgia for 80s cinema.

Whether you’re a die-hard fan of Mahoney or just love classic movie trivia, this episode is packed with behind-the-scenes insights you won't want to miss.

Here are some additional behind-the-scenes trivia we were unable to cover in this episode:

• Former US President Bill Clinton once mentioned to Steve Guttenberg that this was one of his favorite movies and that it helped him get through a tough period. During his speech at the 2016 Democratic National Convention, he also said that his wife, Hillary Clinton, found his parenting decisions questionable after he watched six "Police Academy" films back-to-back with his daughter, Chelsea Clinton.
• The "shoe polish on the megaphone" comes from a prank played on British director Michael Winner during the filming of one of his movies. Hugh Wilson chose to use this gag after hearing the story from a crew member.

Sources:

Wikipedia, IMDB

https://www.thegibsonreview.com/blog/police-academy-a-review

Some sections were composed by ChatGPT

We'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.

• Website - https://www.80sflickflashback.com/
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In this episode of the 80's Flick Flashback Podcast, host Tim Williams and co-hosts Ben Carpenter, Chris McMichen, and Nicholas Pepin dive into the classic comedy film 'The Naked Gun.' They discuss their first impressions, memorable scenes, character analyses, and the film's impact on comedy. The conversation also touches on trivia, behind-the-scenes insights, and the film's rewatchability. The hosts share their thoughts on the reboot and reflect on the legacy of the film, highlighting its humor and iconic moments.

Here are some additional behind-the-scenes trivia we were unable to cover in this episode:

• The device that compelled characters to accept commands to kill someone is similar to what the parasitic life forms in "Star Trek II: The Wrath of Khan" did.
• Leslie Nielsen's line about shooting the Shakespeare in the Park performers is a close parody of a line Clint Eastwood said about shooting a rapist in "Dirty Harry".
• In 1988, The Naked Gun, Who Framed Roger Rabbit, and A Fish Called Wanda formed an accidental "steamroller trilogy." Despite their differences, all three classic comedies released that year feature a character getting flattened by a steamroller.

• 
  

Sources:

Wikipedia, IMDB

https://www.mentalfloss.com/article/71895/18-fun-facts-about-naked-gun

https://www.watchmojo.com/articles/top-10-hilarious-facts-about-the-naked-gun-1988

Some sections were composed by ChatGPT

We'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.

• Website - https://www.80sflickflashback.com/
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Even during the lively era of the Marx Brothers' films at Paramount Pictures—featuring vaudevillian chaos like Horse Feathers and Duck Soup, or Mel Brooks parodies such as Blazing Saddles and Young Frankenstein—audiences had never experienced the overwhelming number of jokes like the ones in this 80s flick. These gags are so nonstop that the weaker ones don’t even have time to linger. The film is packed with puns, pratfalls, provocations, interplay of foreground and background, double entendres, references to movies, TV shows, and commercials, along with random acts of silliness and absurdity, including many 'dad jokes'.

That Rudolph guy and his red nose may get most of the hype when it comes to Santa's furry transport team, but he isn't the only caribou who's earned his stripes... or, should I say, antlers. That's part of what makes this 80s flick a nostalgic centerpiece of the holidays. Most of the time, Santa's reindeer serve as background fixtures at best, so getting a story that centers around one of the less talked-about members of his flying troupe is kinda brilliant and one of the many reasons it deserves to be added to your yuletide viewing schedule, if it isn’t already.

Whenever Christmas time comes around, and you see lists of the best holiday movies — and even the most underrated ones — you’ll almost certainly never find this 80s flick on any of them. It really hasn’t managed to embed itself in Christmas pop culture like some other films have, to be sure. And that is a real shame, because while this movie isn’t high-class theater, it’s considered a favorite Yuletide watch for kids of the 80s and 90s.

We usually stick to theatrically released 80s flicks, but when Ruby Wells makes a special request, we listen! So we’re taking a detour to Sillyville! In this special episode, Ruby Wells and her mom, Bethany Wells, join the pod to defend the honor of the 1989 classic Wee Sing in Sillyville.

Why does this 80s direct-to-video musical hold such a special place in their hearts? We’re talking nostalgia, Bitty Booties, and the magic of sharing movies across generations. You don’t want to miss this walk down memory lane!

Sources:

Wikipedia, IMDB

https://www.buzzfeed.com/andrewfirriolo/renee-margolin-sillywhim-interview

Some sections were composed by ChatGPT

We'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.

• Website - https://www.80sflickflashback.com/
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Long before Kim Cattrall appeared on HBO as the outspoken, sexually confident, “I’ll try anything once” Samantha Jones in Sex and the City, she played an Egyptian woman under a spell and reincarnated as a shop-window dummy. Inspired by Pygmalion, the tale from Ovid’s Metamorphoses poem which tells the story of a sculptor who fell in love with a statue he had carved, it’s admittedly the kind of storyline that was only plausible in the 1980s. And we loved every second of it!