Comedy writer Graham Linehan joins host Helen Dale to talk about cancel culture, comedy, and his new book Tough Crowd: How I Made and Lost a Career in Comedy. Brian Smith: Welcome to Liberty Law Talk. This podcast is a production of the online journal, Law & Liberty, and hosted by our staff. Please visit us at lawliberty.org, and thank you for listening. Helen Dale: My name is Helen Dale, and I’m Senior Writer at Law & Liberty. With me today is Graham Linehan. Graham is the writer and creator of multiple beloved British sitcoms, most famously Father Ted and The IT Crowd. With so many star-studded successes to his name and multiple BAFTAs—including a coveted lifetime achievement award—one would assume his place in the nation’s comedy firmament would be assured. Well, it was—until it wasn’t. Graham Linehan was one of the first prominent people in the UK to raise concerns about gender identity ideology (in 2018). He did so using the only tool available to him at the time, a Twitter account with 900,000 followers. Over the next five years, Graham’s career was disassembled. Not only was he abandoned in his hour of need by people he’d worked with for decades and known for longer, but current and future projects were also cancelled, including a completed West End musical based on Father Ted. Given his literary gifts, he’s fought back with a book, Tough Crowd: How I Made and Lost a Career in Comedy, released last month in the UK and coming to US shores soon. Tough Crowd is both a wise and amusing guide to writing funny things for television and an account of the madness that has overrun the arts and universities throughout the developed world in the last two decades. Thank you for joining us, Graham. Graham Linehan: Thank you for asking me. Helen Dale: You were—until a Comedy Unleashed show featuring you at this year’s Edinburgh Fringe was also cancelled—probably the most cancelled major figure in the UK. All the 2023 Fringe did was make your cancellation into a national scandal. You talk about the wider cancellation in Tough Crowd, but for obvious reasons, you don’t discuss what happened at this year’s Fringe. What’s it like to be cancelled on this scale? Graham Linehan: Well, it’s a destabilising thing for a comedy writer because when you’re a comedy writer, you want to be an observer of human frailty and confusion and all the other comically negative things about humanity. And so when you’re in my position, I’m now no longer outside things looking in. I am at the centre of a story. I am a figure who is incredibly divisive and scandal-ridden, and it makes even thinking about comedy somewhat difficult. I mean, in terms of coming up with a new idea or a new show—for the last five years, six years, I’ve been basically firefighting trying to protect my reputation, trying to rebuild it—and you can’t really write comedy when you’re in that kind of state. You’re in a kind of constant fight or flight mode. So yeah, it’s a very destabilising and upsetting place to be, but I just have to live with it now. Helen Dale: Has there been any sense since the book came out…It’s only been out for a few weeks now, three weeks now. Has there been any sense of... Are more people starting to talk to you now, apart from the sort of obvious media and publicity around Tough Crowd being released? Graham Linehan: Well, it’s an interesting thing because when you bring out a book—and this was actually part of my plan—I did think of it as a two-stage plan. The first stage was the book, but also the interviews that followed it because there were lots of things I couldn’t put in the book because they didn’t fit thematically to each chapter or it was simply too much information. And I thought I would use the interviews to fill in the rest of it for people. But it’s an interesting thing. I get two types of interviews. The first is what I’m getting here, which is being interviewed by people who know the issue, who understand the points, who understand what’s happened to me. And the second is what you might call the more mainstream interviews on TV and national TV over here—in the national press—which is usually with people who sort of understand the issue, but really are just kind of reporting on my Wikipedia page rather than anything that’s actually true about me. So far, it’s been okay. Just before Edinburgh, I was ambushed on TalkTV by someone who simply did not understand the issue in the slightest and was responding to the portrait that’s been painted of me by others in our profession. But yesterday I had an interesting one. I appeared on Times Radio, and even though the interviewer was taking the usual tack—which is making me apologise for either things that I didn’t do or things that have been misreported—and for once, he actually gave me a chance to respond. So, I was able to put the points as clearly as I could, and I’m hoping that will ...
