This week, Bryan and Dave take a trip back to 1984 for a look at one of the top box office draws of 1984 and one of the most toyetic pictures of the decade, Gremlins. It's one of Chris Columbus's first movies produced and Joe Dante's first feature with Steven Spielberg. It's got adorable little cuddly guys, nasty little monsters, Phoebe Cates, gleeful puppet carnage, and a powerhouse score from Hollywood's musical swiss army knife, Jerry Goldsmith. In a year packed with some of American pop cultures most enduring classic titles, Gremlins is among the most iconic of the decade.

It's not all fuzzy feelings, though. As much as it's a lot of Loony Tunes fun and mayhem it's a movie that hasn't exactly aged well and we'll tell you all about it; the good and the bad.

Support Bring Me The Axe on Patreon! ⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠⁠⁠⁠⁠

Buy Bring Me The Axe merch here: ⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

As another Friday the 13th dawns we bring you another bonus episode looking at our personal favorite slasher franchise. This time around Jason Voorhees stalks some kids who just happen to be in the wrong place at the wrong time as he seeks to convalesce after getting hacked in the shoulder with Ginny's machete. We'll tell you all about why, of all the movies Paramount could have chosen to revive the 3D craze, they chose an r-rated body count movie like this one. We'll wax romantic about Richard Brooker's performance as Jason. We'll be blown away by the production's choice to have their final girl fight back against the killer tooth and nail. We'll get downright pedantic about the origin of the hockey mask. All this and more as our tradition of covering Friday the 13th on Friday the 13th continues!

Support Bring Me The Axe on Patreon! ⁠⁠⁠⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠⁠⁠⁠

Buy Bring Me The Axe merch here: ⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠

To unlock the full episode go to ⁠Patreon⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Radio Free Haddonfield our bi-weekly DJ and music show.

This week we take a trip back to October 8, 1993, for a look at the fifth episode of the first season of The X-Files as Mulder takes it to the streets of Atlantic City in search of a murderer who might be the legendary cryptic of New Jersey but is actually a family of feral humans living in the wilds of the Jersey Pine Barrens, bumping up against the edge of civilized society. We have lousy witness sketches of the killer, Scully's magnificent fashion sense and social life, and a rundown of what was happening in America in October of 1993.

This week Dave and Bryan marvel at what is ostensibly the most egregious horror movie sequel of all time, a movie so lazy, so craven that it's hard to believe that it exists at all. When a greedy producer got his hands on the sequel rights to the original Silent Night Deadly Night he intended to have an entire movie made by simply editing the original into something new but director Lee Harry, a professional editor just couldn't make it happen. Because that's an insane and very stupid proposition. The compromise was to shoot insert scenes as a wraparound story. Silent Night Deadly Night Part 2 still manages to compose half of its running time, including the credits, from the original movie but it's not without its charms. After all, this is the movie that gave us garbage day!

Support Bring Me The Axe on Patreon! ⁠⁠⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠⁠⁠

Buy Bring Me The Axe merch here: ⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠

Bryan and Dave go north for a look at The Christmas Martian, an utterly deranged Quebecois children's movie about unsupervised children in a remote Quebec town and the adult man from Mars who in any other context would be understood to be grooming this brother and sister. It's a film that was intended to be whimsical and zany but being the product of Tales For All producer, Rock Demers, it all just comes off as creepy and unsettling. Though, not quite as upsetting as The Peanut Butter Solution, a film we covered in 2023, it's still off-putting in a way that begs the question: who was this movie for?

Produced by prolific Canadian producer, a man on a mission to make the lives of children genuinely better, Rock Demers, directed by one of the National Film Board's most talented cinematographer, Bernard Gosselin, and written by an author so-treasured by his native Canada that one of his works of fiction is quoted on their money, Roch Carrier, The Christmas Martian is remarkably artless and weird and we're going to tell you all about it.

Support Bring Me The Axe on Patreon! ⁠⁠⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠⁠⁠

Buy Bring Me The Axe merch here: ⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠

To unlock the full episode go to Patreon and subscribe at the $5 level to unlock all of our X-Files episodes as well as Radio Free Haddonfield our bi-weekly DJ and music show.

This week we take a trip back to October 1, 1993 for the fourth episode of The X-Files. Mulder and Scully face off against the shadowy forces of the National Security Agency while searching for a missing teenager who may have been the victim of a UFO abduction. Meanwhile, a little boy is seemingly receiving binary data transmissions from his television. Is this kid a threat to national security? Was that girl taken by aliens? Could this small-town sheriff be any shittier about women?These questions and more will be answered on this week's episode.

Bryan and Dave go Belgian this week for a look at the extremely artsy vampire sleeper, Daughters of Darkness. Where Jess Franco and Jean Rollin both released signature lesbian vampire movies in 1971, Harry Kumel snuck in and delivered his own interpretation of sleazy euro-trash horror through the lens of The French New Wave. The film stars the absolutely radiant Delphine Seyrig and her many outrageous costumes.

We break down the film's attempt to make a statement about the gender dynamics between men and women in a patriarchy and Dave goes to great lengths to illustrate the ways in which gay women are treated differently than gay men. In the process you get a crash course in radical feminism and, more specifically, radical lesbianism and the two of us do a lot of lousy cartoonish French accents.

Support Bring Me The Axe on Patreon! ⁠⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠⁠

Buy Bring Me The Axe merch here: ⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠

Bryan and Dave take a look at one of the deepest of cult movie deep cuts, The Beaver Trilogy by Trent Harris, a story about fame, guilt, and Olivia Newton John. It’s the story of a chance encounter with a strange young man one day in Beaver, Utah in 1979 that came to determine the entire trajectory of its director’s life. For reasons that we’ll dig into in the episode the movie is a document of the natural human inclination to seek fame, the natural human inclination to consider how our actions impact the lives of others, and maybe how we become our own worst enemies in the absence of answers. Harris, obsessed with the subject of his own work but unable to speak to him, works out his issues and tries to fill in the blanks as he remakes his own documentary twice with the help of Sean Penn and then again with Crispin Glover. It all culminates in a one-of-a-kind hybrid of documentary and scripted drama that you’re most likely going to become obsessed with.

Support Bring Me The Axe on Patreon! ⁠⁠⁠⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠⁠⁠⁠

Buy Bring Me The Axe merch here: ⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠