To unlock the full episode go to⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week we get a nice little course correction from writers Howard Gordon and Alex Gansa. After the series worst episode, Space, and some notes from Fox, Gordon and Gansa got to work on bringing the episode back into focus as Mulder goes rogue and infiltrates a UFO crash site that's being recovered by a covert army operation. When he's inevitably caught he meets UFO enthusiast and fellow paranoia enjoyer, Max Fennig, as the pilot of the downed UFO sneaks around the crash site, killing soldiers, while waiting for the mother ship to arrive and pick them up.

Not exactly a mythology episode but not exactly not a mythology episode, Fallen Angel brings the series back into paranoid focus to remind everyone that it's about UFOs, aliens, and conspiracy.

We also break down this week in pop culture and the news as usual.

This week we take a look at Bryan's favorite movie of all time, John Carpenter's tough guy action dystopia that definitely shook the Disney off of Kurt Russell and reintroduced him as a premier action movie star for the 1980's. We track the entire trajectory of this movie's production, we'll tell you why everyone thinks Snake Plissken is dead, you'll find out about all the other guys that the production company wanted over Kurt Russell, how director of photography, Dean Cundey engineered an entirely new anamorphic lens just to see the movie at night without sacrificing all the awesome lighting. It's a once-in-a-lifetime action movie that set the pace for the decade and inspired everyone to try their hand (and mostly fail) at making their own version of the movie.

Carpenter had access to more money than he'd work with before and still had to stretch a dollar to make the movie and he managed to knock it out of the park on every front. The cast is stacked. The production design is second-to-none, and the soundtrack is just perfect. Listen in and learn all about it.

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This week we take a look at one of the standout features of the 70's blaxploitation age, William Crain's seminal vampire movie, Blacula, starring William Marshall, Vonetta McGee, and Thalmus Rasulala. Blaxploitation is a troubling topic to take on as the bad movie outnumber the good movies three to one and definitely play up the worst black stereotypes but for a little while there blaxploitation movies and their arty cousin, the LA Rebellion, pushed forward black power narratives and power fantasies that spotlighted black talent and provided black audiences with great characters that reflected their values and dreams.

Blacula as a horror movie is also a standout picture, being every bit as riveting and spooky as Hammer's best outings. William Marshall absolutely dominates the screen as doomed Prince Mamuwalde and Vonetta McGee is hard to take your eyes off of. Give this episode and listen and do chill out. Bryan realized too late that yes, All The Colors of the Dark is a Sergio Martino movie and What Have You Done To Solange was by Massimo Dellamano.

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To unlock the full episode go to ⁠⁠⁠⁠Patreon⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong.

This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

This week Bryan and Dave take a trip back to Rome to check in with Enzo G. Castellari and Mark Gregory on their sequel to the 1982 action movie that exploited the popularity of The Warriors. This time they're exploiting the popularity of John Carpenter's outstanding, Escape From New York. We get more Trash and more Bronx gangs but this time we're joined by the absolute massive screen presence of Antonio Sabato and the movie's appeal rests entirely on the outrageous shoot-y, burn-y, explode-y violence that ups the ante and cranks the volume.

Escape From The Bronx has practically zero plot to speak of and is an incredibly dumb movie at heart but it's a lot of fun and some of the best action that Italy had to offer in the twilight of their once-great exploitation movie industry. Let us break it all down for you.

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This week Bryan and Dave take a look at a nasty little indie from New Jersey that can't help but get a little on ya. Alfred Sole's Alice, Sweet Alice is a vicious movie with a real bone to pick with the Catholic church.

Following his actual excommunication from the church having, Alfred Sole pulled together every resource he could, with a script co-written by Rosemary Ritvo and heavily, heavily inspired by Nicholas Roeg's Don't Look Now, it pits a community of deeply repressed middle-class Catholics against a killer who brutally murders a child in a church. Is it the deeply disturbed problem-child Alice? All signs point to yes but it's complicated, of course.

Perverse and dark in the extreme, Alice, Sweet Alice stands alone in the 1970's as a truly original, truly mean piece of horror with a hell of a cast and some seriously nasty special effects.

Support Bring Me The Axe on Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠

Buy Bring Me The Axe merch here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠

To unlock the full episode go to ⁠⁠⁠Patreon⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong.

This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

Hey! Hey! Hey! BIM's on the way! This week Bryan and Dave take a good long look at the abyss and the abyss stares back when they watch the movie that launched The Cannon Group into the American imagination, a movie musical so poorly received that it nearly drove its director to leap from his hotel balcony at the premier. The Apple is what happens when a producer knows that he wants to make a big musical that's sure to capture some of the excitement that Grease generated but without really knowing what makes a musical work. It's a movie so profoundly bad, with bad acting, bad characters, and the worst thing a musical can have: bad music. Nothing about this baffling movie works and it is plainly obvious for anyone to see. It's simply amazing that the director, Menahem Golan was so caught off guard by its failure.

Some movies are so bad that they end entire careers. This one almost ended Golan's life.

Support Bring Me The Axe on Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠

Buy Bring Me The Axe merch here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠