Since the blockbuster success of his musical “Hamilton,” Lin-Manuel Miranda has been busy: acting, directing, and composing for Disney projects, including the upcoming movie “Mufasa: The Lion King.”

But his new project is more personal, and a throwback in the best sense. Working with the playwright Eisa Davis, he has reimagined a movie from his childhood as a concept album. “The Warriors” is a cult classic released in 1979. “The Warriors are a gang from Coney Island, and they have to fight their way from the Bronx all the way back down to Coney Island in the course of the film,” Miranda tells David Remnick. The film reads as a nineteen-seventies period piece, but Miranda and Davis find a classical dimension to it. “The tale is an old tale. Sol Yurick, who wrote the novel the movie is based on, based it on the Anabasis, which is a soldier’s account of trying to get back home from war” in ancient Greece. “It’s this mythic story. . . . It doesn’t get more clear than that as a plotline.” To tell that story in song and rap, Miranda brought together a cast of legends including Lauryn Hill, Nas, Marc Anthony, members of the Wu-Tang Clan, and more. If releasing a concept album, meant to be listened to straight through, seems like a stretch for 2024 audiences, Miranda is unfazed. “What’s interesting about “Hamilton” is that no one I talked to thought it was a good idea when I was writing it. But I could see it. And it was the idea that wouldn’t leave me alone.”

Follow New Yorker Radio Hour Here - https://www.newyorker.com/podcast/the-new-yorker-radio-hour/with-the-warriors-lin-manuel-miranda-takes-on-another-new-york-story

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Starting January 1st, the criminal interest rate on predatory lending will be lowered, meaning it should be safer to take out payday and installment loans. But these businesses have a tendency to skirt the law, adding unexpected fees and insurance rates to keep borrowers in the hole.

Sam welcomes Donna Borden to the show - an organizer with ACORN. She’s been a victim to these loans, and is now fighting against them. Will the crackdown work and really help lower people’s payments? How can we make short term loans a real option for people struggling, without the sky-high payments?

Host: Sam Konnert

Credits: Aviva Lessard (Producer), Sam Konnert (Producer), Caleb Thompson (Audio Editor and Technical Producer), Max Collins (Director of Audio), Jesse Brown (Editor), Tony Wang (Artwork)

Guests: Donna Borden

Background reading:

• Debt struggles spark concerns - Toronto Star
• Anti-poverty advocates call payday lenders 'criminal,' urge feds to cap interest rates | CBC
• New rules to curb predatory lending still leave many vulnerable - Globe and Mail
• How a $200 payday loan cost over $31,000 - CBC Radio

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Yes, Canada bombed the Aurora Borealis.

But can you actually scatter that northernmost light with explosives? Why would you even try? And explosive boom aside, can you, on a cold clear quiet night, hear the northern lights? What is the sound of the Aurora Borealis?

Nicolas Lachapelle and Eloise Demers Pinard, trekked to Churchill Manitoba, and beyond, to try and answer these questions.

And that’s about as newsy and informational as things are gonna get.

Because as you will hear, today’s episode sounds a little bit different. It’s a bit more poetic than our regularly scheduled programming.

Or as our reporters will tell you, “…this is a story about that forgotten need to probe the sky and an epic journey through time and space on the edge of northern Canada.”

Happy Holidays.

Host: Jesse Brown

Credits:

Produced, recorded and directed by Éloïse Demers Pinard and Nicolas Lachapelle.

In dialogue with the composer Welcome John.

Inspired by the visionary works of Tom Demers and Peter Mettler.

With the voices of Jeremy Allen, George Alexander St-Clair, Harry Tutuk, James Wells, Roland Sawatsky and Chris Campbell.

Narration by Jacqueline Van de Geer.

Field research by Alain James Rioux Dubé.

Archival research by Emma Brunet.

Sound design and mix by Antonin Wyss.

Linguistic revision by Maureen Roberge.

Graphic design by Max Rhéault and the Criterium Design bureau.

The archives are from the Canadian Broadcasting Corporation and the Library and Archives Canada.

Bruce Thorson (Senior Producer)

Additional audio assistance: Caleb Thompson

Jesse Brown (Editor and Publisher)

Sponsors:

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Que retenir de 2024? Beaucoup de sujets lourds, et quelques moments plus légers, affirme Manal Drissi au micro d’Emilie Nicolas. Ensemble, Manal et Emilie reviennent sur des événements marquants de l’année et dressent, en filigrane, un portrait critique de nos médias. Au menu de cet épisode du temps des fêtes, les liens entre transphobie et misogynie qui ont traversé les discours portés sur Imane Khelif, cette boxeuse médaillée d’or aux JO de Paris ; les viols de Mazan et la montée du masculinisme ; la controverse Haroun Bouazzi et le rôle que jouent les éditorialistes dans le traitement de l’actualité ; et enfin la manière dont les médias couvrent la situation à Gaza. En deuxième partie d’émission, Manal Drissi revient sur son retrait des médias depuis la pandémie et nous rappelle l’importance de prendre notre temps.

What to remember from 2024? Lots of heavy subjects and a few lighter moments, says Manal Drissi to Emilie Nicolas. Together, Manal and Emilie look back on some of the significant events of the year and provide, implicitly, a critical portrait of our media. On the menu for this holiday season episode, the links between transphobia and misogyny which ran through the story of Imane Khelif, the young boxer who won gold at the Paris Olympics; the Mazan rapes and the rise of masculinism; the Haroun Bouazzi controversy and the role that editorialists play in covering current events; and finally the way in which the media cover the situation in Gaza. In the second part of the show, Manal Drissi talks about her withdrawal from the media since the pandemic and reminds us of the importance of taking our time and slow living.

Animation : Emilie Nicolas

Générique : Lucie Laumonier (Production), Tristan Capacchione (Production technique), max collins (Coordination de production).

Coanimation : Manal Drissi

Pour en savoir plus et Extraits entendus à l’émission

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What Toronto Star got wrong about UberEats, plus an update on the shaky Trudeau government.

Also, why cellos and Air Canada don’t mix, and new information on who an alleged ISIS plot was targeting in the GTA.

Host: Jesse Brown

Credits: James Nicholson (Producer), Caleb Thompson (Audio Editor and Technical Producer), Lucie Laumonier (Fact Checking), max collins (Director of Audio), Jesse Brown (Editor)

Guest: Jan Wong

Further Reading On Our Website

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Chrystia Freeland kneecaps Trudeau, but his shaky government still stands. Jan Wong joins to sift through the aftermath of a very eventful Monday in Canadian politics.

Plus, an arsenal of 3D printed guns in Quebec and Jan’s tips for the GST holiday.

Host: Jesse Brown

Credits: James Nicholson (Producer), Caleb Thompson (Post Production), max collins (Director of Audio), Jesse Brown (Editor)

Guest: Jan Wong

Further Reading on Our Website

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It was a hell of a day for the Liberals yesterday, as Finance Minister and Deputy Prime Minister Chrystia Freeland abruptly abandoned her post. Now, all fingers are pointed at one man: Justin Trudeau.

So what happened? And where do we go from here? Reporter for the Hill Times Stuart Benson sits down with Sam to break down Justin’s Terrible, Horrible, No Good, Very Bad Day

Photo Credit - Created using AI

Host: Sam Konnert

Credits: Aviva Lessard (Producer), Sam Konnert (Host/Producer), Caleb Thompson (Audio Editor and Technical Producer), Max Collins (Production Manager) Jesse Brown (Editor), Tony Wang (Artwork)

Guests: Stuart Benson

Background reading:

• Federal deficit balloons to $61.9B as government tables economic update on chaotic day in Ottawa – CBC
• Trudeau taps Dominic LeBlanc to serve as finance minister after Chrystia Freeland's shock resignation | CBC
• Chrystia Freeland’s years of loyalty culminate in a humiliating and tragic end | Globe and Mail
• Freeland’s grenade brings crisis on top of crisis to a flailing Trudeau government | Globe and Mail

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This is part two of our mini series: Black Market Babies (part one, here).

It’s a family story that lay hidden for decades. Then the tech was born, the DNA came to light, and after the shock, the investigation began.

An underworld tale of the international baby smuggling ring that bought and sold hundreds of newborns out of Montreal in the 1950s.

A family story told by the families. One reporter whose own mother was bought and sold. And another whose own DNA tied her to the one of the alleged masterminds behind the black market baby trade.

Host: Jesse Brown

Credits: Reported by: Ilana Gordon and Adam Segal

Written by: Ilana Gordon, Adam Segal and Bruce Thorson

Tristan Capacchione (Audio Editor and Technical Producer)

Bruce Thorson (Senior Producer)

max collins (Production Manager)

Jesse Brown (Editor and Publisher)

Additional music by Tristan Capacchione and Audio Network

Further reading:

• https://maisonneuve.org/article/2017/07/18/black-market-babies/
• Www.adamelliottsegal.com

Sponsors:

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