Chekhov's Cock

Auteur(s): Hope Lawson and Grace Banks
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  • Résumé

  • The feminist comedy podcast where we bring you the detailed analysis of adult cinema you didn't know you needed. Fair warning: we go deep. Balls deep.
    Hope Lawson and Grace Banks
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Épisodes
  • Season 1 wrap up - the Chekhov's Choice Awards!

    Season 1 wrap up - the Chekhov's Choice Awards!
    Dec 21 2020
    A special end of year present, all wrapped up for you! Hope and Grace discuss their favourite moments from season 1 and award categories such as best script, best makeup, and best cumshot (and it's not who you think!) WARNING: NSFW AND NOT FOR CHILDREN
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    35 min
  • Ep. 15 - Faust: The Power of Sex with Belladonna, Sophie Evans, and Nacho Vidal - (part 3 of 3)

    Ep. 15 - Faust: The Power of Sex with Belladonna, Sophie Evans, and Nacho Vidal - (part 3 of 3)
    Jun 29 2020
    Grace, Hope and special guest Max Granville are back for part 3 of this episode where we talk about the 2002 film 'Faust: The Power of Sex', directed by the man affectionately referred to as the Father of Spanish Porn, Jose M. Ponce. Is it based on Goethe? Marlowe? Gounod? We're not sure, but we love the raunchy re-imagining that this magnum opus provides. With a lukewarm reception from its original critics, and at 1 hour and 40 minutes, this film is a serious undertaking, but as usual we are more than willing to give it all the time and analysis it needs to be fully understood and appreciated as the work of art that it is.
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    40 min
  • Ep. 14 - Faust: The Power of Sex with Belladonna, Sophie Evans, and Nacho Vidal - (part 2 of 3)

    Ep. 14 - Faust: The Power of Sex with Belladonna, Sophie Evans, and Nacho Vidal - (part 2 of 3)
    Jun 16 2020
    Grace, Hope and special guest Max Granville are back for part 2 of this episode where we talk about the 2002 film 'Faust: The Power of Sex', directed by the man affectionately referred to as the Father of Spanish Porn, Jose M. Ponce. Is it based on Goethe? Marlowe? Gounod? We're not sure, but we love the raunchy re-imagining that this magnum opus provides. With a lukewarm reception from its original critics, and at 1 hour and 40 minutes, this film is a serious undertaking, but as usual we are more than willing to give it all the time and analysis it needs to be fully understood and appreciated as the work of art that it is.
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    34 min

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