Épisodes

  • Novel Approaches: 'Crotchet Castle' by Thomas Love Peacock
    Feb 24 2025

    Thomas Love Peacock didn’t want to write novels, at least not in the form they had taken in the first half of the 19th century. In Crotchet Castle he rejects the expectation that novelists should reveal the interiority of their characters, instead favouring the testing of opinions and ideas. His ‘novel of talk’, published in 1831, appears largely like a playscript in which disparate characters assemble for a house party next to the Thames before heading up the river to Wales. Their debates cover, among other things, the Captain Swing riots of 1830, the mass dissemination of knowledge, the emerging philosophy of utilitarianism and the relative merits of medieval and contemporary values. In this episode Clare is joined by Freya Johnston and Thomas Keymer to discuss where the book came from and its use of ‘sociable argument’ to offer up-to-date commentary on the economic and political turmoil of its time.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:


    Directly in Apple Podcasts: https://lrb.me/applecrna

    In other podcast apps: https://lrb.me/closereadingsna


    Read more in the LRB:


    Thomas Keymer on Peacock

    https://www.lrb.co.uk/the-paper/v40/n03/thomas-keymer/bring-some-madeira


    Paul Foot: The not-so-great Reform Act

    https://www.lrb.co.uk/the-paper/v26/n09/paul-foot/shoy-hoys


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    36 min
  • Love and Death: Elegies for children by Ben Jonson, Anne Bradstreet, Geoffrey Hill and Elizabeth Bishop
    Feb 17 2025

    This episode looks at four poems whose subject would seem to lie beyond words: the death of a child. A defining feature of elegy is the struggle between poetic eloquence and inarticulate grief, and in these works by Ben Jonson, Anne Bradstreet, Geoffrey Hill and Elizabeth Bishop we find that tension at its most acute. Mark and Seamus consider the way each poem deals with the traditional demand of the elegy for consolation, and what happens when the form and language of love poetry subverts elegiac conventions.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:


    Directly in Apple Podcasts: https://lrb.me/applecrld

    In other podcast apps: https://lrb.me/closereadingsld


    Read the poems here:


    Ben Jonson: On My First Son

    https://lrb.me/jonsoncrld


    Anne Bradstreet:In Memory of My Dear Grandchild Elizabeth Bradstreet

    https://lrb.me/bradstreetcrld


    Geoffrey Hill: September Song

    https://lrb.me/hillcrld


    Elizabeth Bishop: First Death in Nova Scotia

    https://lrb.me/bishopcrld


    Read more in the LRB:


    Blair Worden on Ben Jonson

    https://www.lrb.co.uk/the-paper/v34/n19/blair-worden/the-tribe-of-ben


    Blair Worden on puritanism

    https://www.lrb.co.uk/the-paper/v34/n19/blair-worden/the-tribe-of-ben


    Colin Burrow in Geoffrey Hill:

    https://www.lrb.co.uk/the-paper/v36/n04/colin-burrow/rancorous-old-sod


    Helen Vendler on Elizabeth Bishop

    https://www.lrb.co.uk/the-paper/v15/n05/helen-vendler/the-numinous-moose


    Next episode:


    Two elegies by Thomas Gray:


    https://www.poetryfoundation.org/poems/44299/elegy-written-in-a-country-churchyard


    https://www.poetryfoundation.org/poems/44302/ode-on-the-death-of-a-favourite-cat-drowned-in-a-tub-of-goldfishes




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    14 min
  • Fiction and the Fantastic: ‘Gulliver’s Travels’ by Jonathan Swift
    Feb 10 2025

    Jonathan Swift’s 1726 tale of Houyhnhnms, Yahoos, Lilliputians and Struldbruggs is normally seen as a satire. But what if it’s read as fantasy, and all its contradictions, inversions and reversals as an echo of the traditional starting point of Arabic fairytale: ‘It was and it was not’? In this episode Marina and Anna Della discuss Gulliver’s Travels as a text in which empiricism and imagination are tightly woven, where fantastical realms are created to give different perspectives on reality and both writer and reader are liberated from having to decide what to think.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:


    Directly in Apple Podcasts: https://lrb.me/applecrff

    In other podcast apps: https://lrb.me/closereadingsff


    Further reading in the LRB:


    Terry Eagleton:

    https://www.lrb.co.uk/the-paper/v23/n16/terry-eagleton/a-spot-of-firm-government


    Clare Bucknell: Oven-Ready Children

    https://www.lrb.co.uk/the-paper/v39/n02/clare-bucknell/oven-ready-children


    Thomas Keymer: Carry Up your Coffee Boldly

    https://www.lrb.co.uk/the-paper/v36/n08/thomas-keymer/carry-up-your-coffee-boldly


    Next episode: Marco Polo’s Il Milione and Italo Calvino’s Invisible Cities.


    Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.


    Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.


    Hosted on Acast. See acast.com/privacy for more information.

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    16 min
  • Conversations in Philosophy: 'The Essence of Christianity' by Ludwig Feuerbach
    Feb 3 2025

    In The Essence of Christianity (1841) Feuerbach works through the theological crisis of his age to articulate the central, radical idea of 19th-century atheism: that the religion of God is really the religion of humanity. In this episode, Jonathan and James discuss the ways in which the book applies this thought to various aspects of Christian doctrine, from sexual relations to the Trinity, and consider why Feuerbach would never have described himself as an atheist. They also look at George Eliot’s remarkable translation of the work, published only thirteen years after the original, which not only ensured Feuerbach’s influence in the Anglophone world but invented a new philosophical vocabulary in English for German thought.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:


    Directly in Apple Podcasts: https://lrb.me/applecrcip

    In other podcast apps: https://lrb.me/closereadingscip


    Further reading in the LRB:


    James Wood: What next?

    https://www.lrb.co.uk/the-paper/v33/n08/james-wood/what-s-next


    Terry Eagleton: George Eliot

    https://www.lrb.co.uk/the-paper/v17/n18/terry-eagleton/biogspeak


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    10 min
  • Novel Approaches: ‘Mansfield Park’ by Jane Austen
    Jan 28 2025

    On one level, Mansfield Park is a fairytale transposed to the 19th century: Fanny Price is the archetypal poor relation who, through her virtuousness, wins a wealthy husband. But Jane Austen’s 1814 novel is also a shrewd study of speculation, ‘improvement’ and the transformative power of money.


    In the first episode of Novel Approaches, Colin Burrow joins Clare Bucknell and Thomas Jones to discuss Austen’s acute reading of property and precarity, and why Fanny’s moral cautiousness is a strategic approach to the riskiest speculation of all: marriage.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:


    Directly in Apple Podcasts: https://lrb.me/applecrna

    In other podcast apps: https://lrb.me/closereadingsna


    Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. The Treasuries, her social history of poetry anthologies, was published in 2023.


    Thomas Jones is a senior editor at the LRB and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.


    Next episode: Clare Bucknell and guests on Thomas Love Peacock’s Crotchet Castle.


    Hosted on Acast. See acast.com/privacy for more information.

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    32 min
  • Love and Death: Milton's 'Lycidas'
    Jan 20 2025

    Milton wrote ‘Lycidas’ in 1637, at the age of 29, to commemorate the drowning of the poet Edward King. As well as a great pastoral elegy, it is a denunciation of the ecclesiastical condition of England and a rehearsal for Milton’s later role as a writer of national epic. In the first episode of their new series, Seamus and Mark discuss the political backdrop to the poem, Milton’s virtuosic mix of poetic tradition and innovation, and why such a fervent puritan would choose an unfashionable, pre-Christian form to honour his friend.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:


    Directly in Apple Podcasts: https://lrb.me/applecrld

    In other podcast apps: https://lrb.me/closereadingsld


    Read more in the LRB:


    Colin Burrow (on the 'two-handed engine'):

    https://www.lrb.co.uk/the-paper/v35/n05/colin-burrow/shall-i-go-on


    Freya Johnston (on Samuel Johnson's criticism):

    https://www.lrb.co.uk/the-paper/v46/n08/freya-johnston/own-your-ignorance


    Maggie Kilgour (on the young Milton):

    https://www.lrb.co.uk/the-paper/v43/n20/maggie-kilgour/pens-and-heads


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    13 min
  • Fiction and the Fantastic: ‘The Thousand and One Nights’
    Jan 13 2025

    The Thousand and One Nights is an ‘infinite text’: it has no fixed shape or length, no known author and is transformed with each new translation. In this first episode of Fiction and the Fantastic, Marina Warner and Anna Della Subin explore two particularly mysterious stories in the context of the wider mysteries and pleasures of the Nights. ‘The Porter and the Three Ladies of Baghdad’ highlights the pleasures of dreaming, the power of language and the imagination’s essential role in eroticism, while ‘Abdullah of the Sea and Abdullah of the Land’ demonstrates how the fantastic can help us imagine new ways of living.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:


    Directly in Apple Podcasts: https://lrb.me/applecrff

    In other podcast apps: https://lrb.me/closereadingsff


    Further reading in the LRB:


    Marina Warner: Travelling Text

    https://www.lrb.co.uk/the-paper/v30/n24/marina-warner/travelling-text


    Steven Connor: One’s Thousand One Nightiness

    https://www.lrb.co.uk/the-paper/v34/n06/steven-connor/one-s-thousand-one-nightinesses


    William Gass: A Book at Bedtime

    https://www.lrb.co.uk/the-paper/v16/n21/william-gass/a-book-at-bedtime


    Marina Warner: ‘The Restless One’

    https://www.lrb.co.uk/blog/2024/june/the-restless-one


    NEXT EPISODE: ‘Gulliver’s Travels’ by Jonathan Swift, out on Monday 10 February.


    Get the book: https://lrb.me/sealenightsff


    Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.


    Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.


    Hosted on Acast. See acast.com/privacy for more information.

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    15 min
  • Conversations in Philosophy: 'Fear and Trembling' by Søren Kierkegaard
    Jan 6 2025

    The series begins with Søren Kierkegaard’s Fear and Trembling (1843), an exploration of faith through the story of Abraham and Isaac. Like most of Kierkegaard’s published work, Fear and Trembling appeared under a pseudonym, Johannes de Silentio, and its playful relationship to the reader doesn’t stop there. Described as a ‘dialectical lyric’ on the title page, the book works through a variety of formats in its attempt to understand the nature of faith and the apparently unsolvable paradox that the father of the Abrahamic religions was prepared to murder his own son. James and Jonathan consider whether Kierkegaard thinks we can understand anything, and what Fear and Trembling has in common with the works of Dostoevsky and Kafka.


    Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:


    Directly in Apple Podcasts: https://lrb.me/applecrcip

    In other podcast apps: https://lrb.me/closereadingscip


    Further reading in the LRB:


    Jonathan Rée: Dancing in the Service of Thought https://lrb.me/cipkierkegaard1

    James Butler: Reading Genesis https://lrb.me/cipkierkegaard2

    Roger Poole: A Walk with Kierkegaard https://lrb.me/cipkierkegaard3

    Terry Eagleton: A Long Way from Galilee https://lrb.me/cipkierkegaard4


    James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.


    Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.


    NEXT EPISODE: 'The Essence of Christianity' by Ludwig Feuerbach, out on Monday 3 February.


    LRB AUDIOBOOKS


    Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

    https://lrb.me/audiobookscip


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    12 min