On today's episode of "Conversations On Dance", we are joined by former Chief Dance Critic of the New York Times and performing arts historian Alastair Macaulay to discuss the legacy of composer Maurice Ravel around the corner from his 150th birthday. We talk about Ravel's major commissions for dance, how dance influenced his compositions outside of those meant for the concert dance stage, and his continued impact on major choreographers of the 20th century and onwards, like Frederick Ashton and George Balanchine.

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On today's episode of "Conversations On Dance" we are joined by street dancer, creator and teacher YungChris. Chris tells us about his early beginnings in dance, how stepping away during college refueled his desire to perform, and how traveling extensively feeds his creative impulses. The first artist to receive this commission twice, Chris is the creative mind behind one of three upcoming premieres at Performing Arts Houston's "New/Now" program, to be presented this March 6th and 7th. If you're in the Houston area, visit performingartshouston.org for to purchase tickets.

'Tip Toe Thomas' New/Now Commission from 2020: https://www.youtube.com/watch?v=BzaOJWAMCKo

THIS EPISODE'S SPONSOR:

New York Theatre Ballet’s 2025 Summer Repertory Session offers pre-professional, collegiate, and post-collegiate dancers full-day training sessions of classes, rehearsals, and new choreography at their studios in lower Manhattan. This year’s two-week session runs June 9 through June 20 and provides individualized instruction, movement analysis, and immersion into NYTB’s acclaimed repertoire. Tuition is $1,000 and merit-based scholarships are available. Aspiring students are invited to submit video auditions by April 30, 2025. For more information, please visit nytb.org/auditions

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On today's episode of "Conversations On Dance", we are joined by esteemed teacher and repetiteur Darla Hoover. Darla tells about how her early training at CPYB including teaching regularly, her time working with Balanchine at the School of American Ballet and later as a member of the New York City Ballet, her process to prepare for her stagings of Balanchine's work and how she tailor makes a syllabus for the needs of individual schools.

Note: When Darla refers to Marcia, she is talking about Marcia Dale Weary who founded Central Pennsylvania Youth Ballet.

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On today's episode of "Conversations On Dance" we are joined by New York City Ballet dance legend and trailblazer Debra Austin. Debbie, as she liked to be called, takes us through her time as a native New Yorker training locally before entering the New York City Ballet, her experiences working with Balanchine, charting new territory leading full lengths as a principal dancer at the Pennsylvania Ballet and the work she does now as a rehearsal director for Carolina Ballet for over 25 years.

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On today's episode of "Conversations On Dance" we are joined by Elizabeth Yntema the president and founder of Dance Data Project, an organization that promotes gender equity through its research and analysis. Dance Data Project has just released its Artistic and Executive Director compensation report and Elizabeth helps us comb through the data to explore things like the remaining gender pay gap and pay increases for executives in spite of deficits. Visit dancedataproject.com to view the full report. https://www.dancedataproject.com/ddp-research/artistic-and-executive-compensation-report-2024/

* ADDITIONAL NOTE regarding dancer compensation * Follow up from DDP: "In FY22, 1 company within the Largest 10 reported dancer salaries - San Francisco Ballet. In FY23, 4 companies within the Largest 10 reported dancer salaries - San Francisco Ballet, American Ballet Theatre, Houston Ballet, and Pacific Northwest Ballet. Notably, all of the dancers with reported salaries were principal dancers."

According to the IRS, here are the guidelines for which persons must be listed on Form 990s: "The organization must also list up to 20 current employees who satisfy the definition of key employee (persons with certain responsibilities and reportable compensation greater than $150,000 from the organization and related organizations), and its five current highest compensated employees with reportable compensation of at least $100,000 from the organization and related organizations who are not officers, directors, trustees, or key employees of the organization."

Be in touch with Dance Data Project: https://www.dancedataproject.com/contact-us/.

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On today's episode of "Conversations On Dance", we are joined by choreographer Helen Pickett. We talk to Helen about her time working with William Forsythe at Ballett Frankfurt, how she began her own choreographic journey and the process creating "Crime and Punishment", the first full-length ballet choreographed by a woman at American Ballet Theatre. "Crime and Punishment" will be performed at the Kennedy Center in Washington, DC from February 12th through 16th. To purchase tickets, visit Kennedy-Center.org.

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On today's episode of "Conversations On Dance", we are joined by the co-founders of Complexions Contemporary Ballet, Dwight Rhoden and Desmond Richardson. They take us through the history of their artistic connection, the inauspicious beginnings of the company, and how they've built on the mission of Complexions over the course of its 30 year history. Complexions will be performing at Performing Arts Houston in Houston, TX on February 1st. To purchase tickets visit performingartshouston.org.

Dwight on COD in June 2024: https://www.conversationsondancepod.com/episodes-transcripts/399-dwight-rhoden-choreographer-amp-artistic-director-of-complexions-contemporary-ballet

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Today it's just Michael & Rebecca. We go through the listener survey submissions and start building our 2025 guest wish list! Thank you to everyone who took the time to take our listener survey!

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• Website: conversationsondancepod.com
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