Well, we know where we’re going and we know where we have been. It may seem like we were on a road to nowhere with Talking Heads Part 1 since it’s been a while, but the future is certain because here we are with Part 2. We start things off with a bang, with 1980’s Remain in Light and then cover the Talking Heads’ most commercially successful years including their landmark concert film, Stop Making Sense. Then we cover their detour into commercial, American-influenced pop on albums such as LIttle Creatures and True Stories and end with their adventurous final album, Naked. We continue our evaluation from part 1 and things get a little contentious as we disagree (slightly) on what truly was the band’s artistic peak and, as usual, along the way, we learn…

• Who was more sophisticated musically, Bach or The Talking Heads (ok, it’s Bach)
• How much of a prima donna Brian Eno was during this time
• Why we are changing the name of the podcast to the Cultural Funk Exchange
• Which member of the band thinks he came up with every idea
• Finally we take a look at these hands and figure out who's a tumbler

Check us out on Instagram (https://www.instagram.com/culturalfutures/) for links and additional content related to this and other episodes as well as clues to upcoming shows or write to us at culutralfuturesexchange@gmail.com

All audio clips are used under the "Fair Use" Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

All rights and credit go directly to its rightful owners. No copyright infringement intended.

This ain’t no party. This ain’t no disco. This ain’t no foolin’ around. This is CFX. Episode 56: Talking Heads and we get so “lovey dovey” that “we ain’t got time for that now”. That’s right, we had to split this into two parts. In this first part, we go into our personal histories, the zeitgeist that created Talking Heads and a detailed history of the band. We also cover the bands’ 1970s albums, Talking Heads ‘77, More Songs about Buildings and Food, and Fear of Music. We take you on a journey from the galleries of the Rhode Island School of Design to the rat-infested industrial lofts of the boweries and the early days of CBGBs to the exotic Compass Point Studios in Nassau where the band started their collaboration with Brian Eno that would culminate in…well, that’s in Part 2. But as usual, we decide if this music and the band as a whole stand the test of time or whether “they are talking a lot” “but not saying anything”, and, along the way, we learn…

• Why the drummer is always smiling
• What utensil Lou Reed used to eat a pint of Haagen Dazs ice cream.
• Which member of the band did a performance art piece that involved shaving off his beard using beer foam as shaving cream
• Which member of the band has “science hair”
• Why the Ramones had a sudden need for Carbona Spot Remover

Check us out on Instagram (https://www.instagram.com/culturalfutures/) for links and additional content related to this and other episodes as well as clues to upcoming shows or write to us at culutralfuturesexchange@gmail.com

All audio clips are used under the "Fair Use" Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

All rights and credit go directly to its rightful owners. No copyright infringement intended.

Alright, internet! How y’all doing out there? You wanted the best and you got the best…stage banter that is. That’s right, this week we take a look at the best and worst stage banter in history for the first (and maybe only… we’ll see…) time. There’s no Grammy award for best stage banter and we attempt to rectify this grave oversight as a quasi-awards show that I guess you can call THE BANTIES! We start way back in the past and cover all the way to the present day. We cover the most skilled practitioners, the true giants of this often overlooked art form. And we cover those who might want to skip the talk and just get on with the damned song. And, as usual, along the way, we learn…

• How to properly introduce your band after 5 hits of acid
• Why the laser pointer is probably the most important technical innovation in the history of stage banter
• Why too much Newcastle Brown Ale may be the best way to defeat Satan
• Why political stage banter is always such a bummer
• How to get around having your stash taken from you by your wife/manager
• How (not) to organically incorporate the city your band is playing into your banter

Check us out on Instagram (https://www.instagram.com/culturalfutures/) for links and additional content related to this and other episodes as well as clues to upcoming shows or write to us at culutralfuturesexchange@gmail.com

All audio clips are used under the "Fair Use" Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

All rights and credit go directly to its rightful owners. No copyright infringement intended.

Are you there Judy? It’s us, CFX, and this week we are here to ask you, when will we grow? Haha, all kidding aside. That’s right, we are covering the great Judy Blume, an author who has influenced several generations with her frank, honest and realistic books for kids and young adults. We go into her history, highlighting a few of the books that are both her most notable and also most controversial. Of course, we talk about Are You There God, It’s Me Margaret, Blume’s breakthrough and most famous book and we also touch on the recent film adaptation. We cover the followup to that book, Then Again, Maybe I Won’t, Blume’s one stab at dealing with teenage boys. We talk about Blubber, probably one of the darkest books not only on childhood but on human nature. And, how could we do an episode on Blume without covering her most banned book, Forever…, possibly the first book to depict first time sex from a female perspective? We also talk about how Blume is not only a writer but an anti-censorship champion and how she went above and beyond to correspond with thousands of kids who looked up to her for guidance. In this episode, we really go out of our way to tackle Blume’s work with a mature and academic approach or… then again, MAYBE WE DON’T. As you’ve come to expect, while we respect these books, we also have a lot of fun with them, and along the way, we learn…

• What male body part should not be covered in aftershave
• Which of our podcast hosts didn’t actually learn anything from Blubber
• What a nymphomaniac is and how it nearly got a 19 year old B. Dalton bookstore employee fired
• Why Slip never had a wet dream
• What medical condition led to Jeff’s biggest sound FX fail yet
• How Slip, momentarily, became cool via literature and liberal parenting

Note: Apologies for the shitty sound as we had a microphone technical failure at the CFX studios :(

Check us out on Instagram (https://www.instagram.com/culturalfutures/) for links and additional content related to this and other episodes as well as clues to upcoming shows or write to us at culutralfuturesexchange@gmail.com

All audio clips are used under the "Fair Use" Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

All rights and credit go directly to its rightful owners. No copyright infringement intended.

Dearly beloved CFX fans, we are gathered here today to evaluate this thing called Purple Rain. Will it stand the test of time forever or just a mighty long time…well, we’re here to tell U. That’s right, we evaluate the film, the music and the artist (thankfully known as Prince which is good because I don’t know how to print that damned symbol…). What about the movie? Should U “dig” the picture or “smash” it? Is the music “sheer perfection” or is there “something wrong with the machinery”? Is Prince a genius, a “Messiah”, something “that we’ll never comprehend”? We go all the way back to the beginning, from Prince’s troubled childhood in Minneapolis, to his slow rise in crossover popularity that eventually led to his commercial (and probably artistic peak) in the 1984 film and album Purple Rain. We also discuss the aftermath of his career and discuss whether Prince was a musical genius or just really talented. Let us guide U and, hopefully, along the way, U will also learn…

• Who “Darling Nikki” is and what inspired Prince to name his lead actress Apollonia
• How to commandeer an official university vehicle so you and your friends can go see the Prince concert
• How Slip’s concert dance moves inspired deep admiration (ok…more like laughter)
• Who was the unlikely inspiration for Purple Rain’s iconic theme song
• Which Jim Henson creation film critic Vincent Canby compared Prince to in his less than favorable review of the film
• Who the real star of Purple Rain was…and it wasn’t Prince….
• And, finally, how Siskel and Ebert covered their boners with....humanity…

Check us out on Instagram (https://www.instagram.com/culturalfutures/) for links and additional content related to this and other episodes as well as clues to upcoming shows or write to us at culutralfuturesexchange@gmail.com

All audio clips are used under the "Fair Use" Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

All rights and credit go directly to its rightful owners. No copyright infringement intended.

When we first came up with the concept of the show, namely leveraging our pop cultural expertise to put cultural artifacts under the CFX microscope to see if they will stand the test of time, the short lived early ‘80s sitcom, Bosom Buddies, was one of the first shows we both thought of covering. Well, in episode 52, we do just that. We dig into not only the production history of the show, the before and after careers of all cast members, including the conspicuously successful Tom Hanks, but also the rich tradition of cross dressing as a plot point both in comedy and drama, going all the way back to Shakespeare and beyond. See, it's all perfectly normal....

Is this show an underappreciated classic full of edgy satire or just another hackneyed sitcom full of tired plots and well-worn comedy tropes? We answer this question by analyzing every single episode of the show and then “speak our minds” to decide if this short lived show deserved “a second chance” or if we should tell the show’s creators and actors to “keep it yourself”! And, as usual, along the way, we learn…

• Who is the one major cast member who didn’t appear on The Love Boat
• How a very stoned Martin Scorcese may have stolen the plot of one of the episodes for one of this best films
• How Billy Joel and Stephanie Mills taught Slip a very painful lesson about karma
• How Buffy and Hildy, Kip and Henry’s brothers, are from Saskatchewan, Canada while Kip and Henry are from Shaker Heights, OH…
• How the coffee shop at the Susan B Anthony Hotel for Women is the hippest, most happening place in all of NYC…maybe even all of the USA
• What it means to be a sitcom art critic
• What "horrible" CFX legend and poo bomb victim was wearing Donna Dixon's pink chiffon outfits before she ran off with Dan Aykroyd
• And, finally, the lengths one will go through to avoid being sued by Gary Gygax

Check us out on Instagram (https://www.instagram.com/culturalfutures/) for links and additional content related to this and other episodes as well as clues to upcoming shows or write to us at culutralfuturesexchange@gmail.com

All audio clips are used under the "Fair Use" Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

All rights and credit go directly to its rightful owners. No copyright infringement intended.

This week CFX covers Warren Zevon, an artist that the general public, if they’ve heard of him at all, usually think of as a one hit wonder and associate him with one that song, “Werewolves of London”. As great as that song may be, CFX, as you’ve come to expect, digs deeper to discover the real Warren Zevon, the oftentimes frustratingly brilliant and brilliantly frustrating songwriter and musician’s musician who went from childhood classical prodigy to ‘60s flame out to the peak of popularity and critical acclaim in the late ‘70s, all to have it go up in flames in one of the most alcohol soaked, debauched and drugged out careers the world has ever seen (and the world has seen a lot of them)! In the end, he “stood in the fire” (to quote him) only to be defeated by cancer. But he didn’t even let that stop him, keeping his sardonic sense of humor and incomparable wit and insight intact until the end. But what can CFX say about the prospects of an artist who most people haven’t heard of? Will his work stand the test of time? We go into his unbelievable story and evaluate the highs and lows of his long career, and, as usual, we learn…

• How many times it’s possible to fail rehab
• Where are the best and worst places to hide your empty vodka bottles
• What is the best opening line of a song ever
• Why you should be careful of those Hawaiian hotel employees
• What is JEFFCORE?
• How not to treat Jackson Browne
• And, finally, lyrical ruminations describing chronic incontinence problems of the elderly

Check us out on Instagram (https://www.instagram.com/culturalfutures/) for links and additional content related to this and other episodes as well as clues to upcoming shows or write to us at culutralfuturesexchange@gmail.com

All audio clips are used under the "Fair Use" Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

All rights and credit go directly to its rightful owners. No copyright infringement intended.

Part 2 picks up right where we left off on Part 1, by tackling the post-Moving Pictures journey of our Canuck music heroes. They’ve just experienced their greatest commercial success (artistic as well, at least according to CFX) to date and ready to fire the up the synths for some emotion transmission on 1982’s Signals. How do the next 11 albums over 30 years of the band’s studio recording history go down? Are they cool with their rapidly growing, hard-won, post-Moving Pictures fan base? Or will they be cast out? We cover it all, have major disagreements agreements along the way, and learn:

• How not to make music videos
• What famous drummer (ok, look-alike) starred in the Subdivisions video
• How disco might have been Rush’s secret weapon
• What happens when Neil Peart and Jeff go head-to-head in a lyric writing contest
• How everyone is entitled to Geddy’s opinion
• Why Big Money has no soul
• And, finally, how exactly, abnormal shapes and forms contribute to life in two dimensions becoming a mass production scheme

Check us out on Instagram (https://www.instagram.com/culturalfutures/) for links and additional content related to this and other episodes as well as clues to upcoming shows or write to us at culutralfuturesexchange@gmail.com

All audio clips are used under the "Fair Use" Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.

Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

All rights and credit go directly to its rightful owners. No copyright infringement intended.