Kenny and Mike are joined by friend and regular guest Rev. Eric Folkerth to discuss the biopic film of Bob Dylan, A Complete Unkown. Directed by James Mangold, the film stars Timothee Chalamet as Dylan, Ed Norton as Pete Seeger, Elle Fanning as Sylvie Russo, and Monica Babaro as Joan Baez.

Based on the book Dylan Goes Electric by Elijah Wood, A Complete Unknown opens as Bob Dylan arrives in New York City and begins his rise in the world of folk music, and the reaction after he became a folk music star when he decides to expand into folk rock music by "going electric." This new direction was introduced and decidedly rejected by the audience at the 1965 Newport Folk Music Festival, and is the climax of the film.

As the film moves toward the Newport clash, it documents Dylan's struggle againstbeing labeled, boxed in, and controlled by the music industry as well as his initial fans. The film also shows Dylan's relationships with Sylvie Russo and folk legends Joan Baez, as well as with Pete Seeger and Woody Guthrie.

Episode Guest Eric Folkerth is Sr. Pastor of Kessler Park United Methodist Church in Dallas and is a singer/songwriter and blogger. Eric's website is ericfolkerth.com

Faith Reflected:

Expansive vs. restricted worship, experiences, and understanding of God.

Worship Wars happen when individuals and groups get comfortable and set in their ways of worship and deny the validity of other expressions and languages of worship that may speak better to others.

The benefit of a variety of ways of worship that lead to enriched understanding and experiences of God.

Declaring and accepting purity of worship is a means to control the experience, theological understanding, and faith development of others.

Luke 4 and the resistance to Jesus demonstrating God's love of and working for other people and nations.

The early Church in the Book of Acts also faced this struggle of expansive experiences of worship and understanding of God.