Today on Fantasy Writing for Barbarians, we’re sharpening our axes and hacking into one of the most powerful storytelling tools: third-person close narration. A listener writes in asking how to wield third close effectively in epic fantasy, What makes it such a strong choice? How do you avoid common pitfalls? And how do you keep the immersion deep without slipping into first-person territory...

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re diving into one of the most intriguing challenges in fantasy storytelling: crafting trials and competitions that are dangerous, high-stakes, and compelling—without relying on combat!

Inspired by an author prompt, we brainstorm creative ways to test a character’s worthiness for the "throne" beyond the typical sword fights and archery contests. From uncovering court conspiracies to brokering high-risk negotiations, we explore how fantasy trials can emphasize intelligence, diplomacy, and even necromantic abilities.

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re diving into another first-page critique, breaking down what makes an opening scene compelling, immersive, and effective. Particularly when you're using first-person narration!

We dig into the first page of a YA fantasy novel from an author looking for feedback on their voice. And then I take a look at what’s working, what could be tightened up, and how the author can refine voice, pacing, and tension to create an irresistible first page. Along the way, we discuss the importance of grounding readers in the "now," avoiding too much exposition, and ensuring your opening scene serves as an invitation into the world of your story.

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.