• Jane Austen and the Future of the Humanities

  • Auteur(s): Michael Kramp
  • Podcast

Jane Austen and the Future of the Humanities

Auteur(s): Michael Kramp
  • Résumé

  • How might the stories and ideas of Jane Austen inform the current condition and future possibilities of the humanities? Michael Kramp, a faculty member at Lehigh University who has published numerous books on Jane Austen, addresses the critical state of the humanities and considers how Austen's stories might offer creative ways for communicating the value and efficacy of humanities experiences for various public audiences. dmk209@lehigh.edu

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Épisodes
  • Episode Two: The Distinctive Cultural Status and Functions of Jane Austen
    Mar 22 2025

    In this second episode of Jane Austen and the Future of the Humanities, I consider the distinctive cultural status of Jane Austen and reflect on how this distinctive status has allowed Austen to function, operate, and be used in diverse ways and in diverse public communities around the world. I speak with various scholars, writers, and artists, including the first person who taught Austen to me: Dr. Claudia L. Johnson, the Murray Professor of English at Princeton University. I am extremely grateful to all my collaborators who have taught me so very much, including Dr. Patricia A. Matthew (Montclair State University and the Race and Regency Lab), Dr. Jennifer Kloester, author of Jane Austen's Ghost, Laaleen Sukhera, editor of and contributor to Austenistan, Dr. Usha Mudiganti (Ambedkar University), Dr. Mandakini Dubey (Ashoka University), Mahesh Rao, author of Polite Society, Nikki Payne, author of Pride and Protest and Sex, Lies, and Sensibility, Uzma Jalaluddin, author of Ayesha at Last and Much ado About Nada, Dr. Meenakshi Bharat (Sri Venkateswara College, University of Delhi), and Dr. Javaria Farooqui (COMSTATS University Islamabad, Lahore Campus). You can see portions of the interviews I conducted with these individuals and others who have collaborated with me here.

    Throughout our discussions, we identify three features of Austen’s distinct cultural status that will be specifically important for my attempt to leverage her stories and ideas to communicate the value of the humanities to diverse public audiences: (1) her versatility, (2) her accessibility, and (3) her ostensible safety. As we consider these features of Austen’s cultural status and deployment, we pay careful attention to how these qualities have been used and how we might re-use them to communicate impactful humanities experiences.

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    1 h et 22 min
  • Jane Austen and the Future of the Humanities
    Feb 1 2025

    The conditions of the humanities in institutions of higher learning seem to be dire and critical. Why is this so? What has happened? And why do we keep talking about a "crisis" in or of the humanities. And what in the world does the beloved author, Jane Austen, have to do with any of this. Michael Kramp, professor of English at Lehigh University in Bethlehem, PA, considers these questions and many with numerous guests, including Dr. Stephanie Shonekan, Dean of the College of Arts and Humanities at the University of Maryland, Dr. Robert Newman, former President at the National Humanities Center, Dr. Robert Townsend of the American Academy of Arts and Sciences, and Dr. Heather Hewett, former Program Officer at the American Council of Learned Societies. You can learn more about Michael and his project on his website.

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    1 h et 9 min
  • Preview: Jane Austen and the Future of the Humanities
    Nov 20 2024

    Two of the universal truths of the past fifty years are the enduring popularity of Jane Austen and the persistent refrain of a "crisis of the humanities." In this preview episode, Prof. Michael Kramp (dmk209@lehigh.edu) discusses how the popularity, versatility, and malleable authority of Austen can serve as a valuable tool for discussing the importance of the humanities with diverse public audiences. This preview episode points to a new podcast that will correspond with the 250th anniversary of Austen's birth in 2025.

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    9 min

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