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No one captured New York City in its noir 1930s and 1940s better than the photographer Arthur Fellig, better known as Weegee. Ceaselessly roaming New York's streets, often at night while his competitors slept, Weegee took thousands and thousands of photos that visually defined what he called the Naked City. An exhibition of his work is on view at the International Center of Photography on the Lower East Side until May 2025.

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When Moe Asch died in 1986, his extraordinarily eclectic Folkways Records had put out 2,186 long-playing records, from Woody Guthrie to Ho Chi Minh, Leadbelly to Langston Hughes, jazz, gospel, Yiddish music, calypso, and instructional records like "Speech After the Removal of the Larynx." Most did not sell well, but at least one of them, Harry Smith's "Anthology of American Folk Music," set off a seismic shift in American culture.

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During World War II, Times Square was crowded with soldiers and sailors, and girls and women who wanted to be around them. The authorities labeled these females "victory girls," "khaki-wackies," and even "patriotutes."

Excerpted from my book "Victory City."

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