Molly Rowe, newly appointed Executive director of the Hilliard Art Museum, joins Discover Lafayette to discuss her love of the arts and working with artists. Molly has worked with arts and culture organizations such as the New York City Ballet and Savannah College of Art and Design, and Fortune 500 companies such as Google and The New York Times. Born and raised in Lafayette, Molly's mother was an antique dealer; from an very early age, Molly was exposed to art, antiques, antiques, provenance, and the research that goes into collecting and telling stories about objects. She grew up appreciating art and objects, learning about other cultures and people. At the age of 18, after graduating from the Episcopal School of Acadiana and ready to see the world, she left Lafayette at 18 to attend Cornell University where she earned Bachelor's degrees in History and French literature. Molly then earned an MBA in Strategic Management from Tulane, and completed graduate work in Art History at Sorbonne University and Ecole Normale Supérieure in Paris. Molly's first job was writing for the President and Co-Founder of the Savannah College of Art and Design, Paula Wallace. "It's an institution that started with a dream of one woman who was an educator and now it is globally recognized. It is one of, if not the, largest private art institution in the world. It is a mission driven arts organization, and I learned so much about how it was run, how to build organizations of that nature, how to inspire people through that." The experiences Molly gained help define her career. "Whenever I started working with Paula Wallace, I envisioned myself to be a writer who was going to go on and do doctorate work in literature. I was very always interested in languages and storytelling. But through my work with her at SCAD, I realized that art has it own language and communicates things that words can't. Through studying art and learning about art and exhibiting art, working with artists, you're able to transcend time, cultures, and geography.” Molly shared, "We so often think that being able to create an art object or a painting defines creativity. But some of the most creative people I know are creative in business. I've built my career on working with artists and supporting artists and building businesses with them." After her work at SCAD, she moved to New York and was employed by consultants who worked with arts organizations, museums, institutions, and galleries based all over the world. She eventually opened her own consulting firm with that same focus, at the intersection of arts, education and business,. Molly worked with over 50 institutions internationally, from the United States to Europe, South America, and Asia. Molly says, "It's that work that allowed me to consult with incredible organizations such as Google, New York City Ballet, and The New York Times. My work with them was always focused around art and culture. I think so many businesses recognize the power of art and culture; in order to get a product into the hands of people, they have to tap into how their desired audience communicates, what they like, what they read, what they listen to." Molly explained, "Being able to tap into an audience's culture means you're going to be working with artists. It means you're going to be working with the people that are creating and building that culture. That's where I came in, as this sort of middle person, who would help organizations figure out how they were going to bring their product to people. It was always around working with artists. The other side of that was not only making sure it was good for business, but also that it was good for rhe artists. If we look at Louisiana, one of our biggest economies is cultural tourism. We don't think enough about who is benefiting from that. My job was always making sure that artists were represented appropriately and that were being compensated and rewarded in the right way.
