Épisodes

  • Sean Redmond, "The Loneliness Room: A Creative Ethnography of Loneliness" (Manchester UP, 2024)

    Sean Redmond, "The Loneliness Room: A Creative Ethnography of Loneliness" (Manchester UP, 2024)
    Jun 28 2024
    The Loneliness Room: A Creative Ethnography of Loneliness (Manchester University Press, 2024) by Dr. Sean Remond is a remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    53 min
  • Siobhan Angus, "Camera Geologica: An Elemental History of Photography" (Duke UP, 2024)

    Siobhan Angus, "Camera Geologica: An Elemental History of Photography" (Duke UP, 2024)
    Jun 21 2024
    In Camera Geologica: An Elemental History of Photography (Duke UP, 2024) Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. This conversation discusses the meta-narrative and performative aspects of some of the photographs shown in the text, dives into some of the stories and examples from Ann Atkin's cyanotypes of the 1800s to Warren Cariou's contemporary bitumin prints, and asks what ethical photography looks like given the resource extraction required. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    52 min
  • Image as Form in a Transpositional Grammar

    Image as Form in a Transpositional Grammar
    May 17 2024
    Listen to Episode No.10 of All We Mean, a Special Focus of this podcast. All We Mean is an ongoing discussion and debate about how we mean and why. The guests on today's episode are Bill Cope and Mary Kalantzis, professors at the University of Illinois, and as well, John Jones, assistant professor at SUNY Cortland. In this episode of the Focus, our topic is Image as Form in a Transpositional Grammar: The Example of Photography. Bill Cope : "Every time a new medium turns up, it does new things. So, in the case of photography — our example medium today — its form is Image, and in our grammar, the Image is the human's way of representing the world on a two-dimensional plane. Now, of course, the Image has been around for a very long time, but when photography develops, it adds new things to the Image — it makes the Image much more accessible. You know, how many zillions of photographs are taken every day now, and most of them pushed across space and time via the Internet, right? So we ask, what does that massification of the ability to create the Image do?" Links Cartier-Bresson, The Decisive Image Muybridge's Moving Images Robert Fielding Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    1 h et 2 min
  • Nathanial Gardner, "The Study of Photography in Latin America: Critical Insights and Methodological Approaches" (U New Mexico Press, 2023)

    Nathanial Gardner, "The Study of Photography in Latin America: Critical Insights and Methodological Approaches" (U New Mexico Press, 2023)
    Apr 18 2024
    The Study of Photography in Latin America: Critical Insights and Methodological Approaches (University of New Mexico Press, 2023) provides an insider's perspective to the study of photography. Nathanial Gardner provides readers with a carefully structured introduction that lays out his unique methodology for this book, which features over eighty photographs and the insights from sixteen prominent Latin American photography scholars and historians, including Boris Kossoy, John Marz, and Ana Mauad. The work reflects the advances of the study of photography throughout Latin America with certain emphasis on Brazil and Mexico. The author further underlines the role of important institutions and builds context by discussing influential theories and key texts that currently guide the discipline. The Study of Photography in Latin America is critical to all who want to expand their current knowledge of the subject and engage with its experts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    41 min
  • Photography and Making Bedouin Histories in the Naqab, 1906-2013:: An Anthropological Approach

    Photography and Making Bedouin Histories in the Naqab, 1906-2013:: An Anthropological Approach
    Mar 12 2024
    In Photography and Making Bedouin Histories in the Naqab, 1906-2013:: An Anthropological Approach (Routledge, 2023), Emilie Le Febvre takes us to the Naqab Desert where Bedouin use photographs to make, and respond to, their own histories. She argues Bedouin presentations of the past are selective, but increasingly reliant on archival documents such as photographs, which spokespersons treat as evidence of their local histories amid escalating tensions in Israel-Palestine. These practices shape Bedouin visual historicity; the diverse ways people produce their pasts in the present through images. The book charts these processes through the afterlives of six photographs as they circulate between the Naqab’s entangled visual economies – a transregional landscape organized by cultural ideals of proximity and assemblages of Bedouin iconography. She illustrates how representational contentions associated with tribal, civic, and Palestinian-Israeli politics influence how images do history work in this society. Here, Bedouin value photographs not because they evidence singular narratives of the past; rather, the knowledges inscribed by photography are manifold as they support diverse constructions of Naqab Bedouin history and society. In this episode, Emilie joins me to discuss the ethics of photographs of the Naqab Bedouin as a historical source; the nuances of gender norms around photographing Bedouin women; and how social media and modern technology have changed how photographs are used and understood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    50 min
  • Marcia Bricker Halperin, "Kibbitz and Nosh: When We All Met at Dubrow's Cafeteria" (Cornell UP, 2023)

    Marcia Bricker Halperin, "Kibbitz and Nosh: When We All Met at Dubrow's Cafeteria" (Cornell UP, 2023)
    Feb 25 2024
    In the middle decades of the twentieth century in New York City, Dubrow’s cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow’s came apart. The Brooklyn branch of Dubrow’s closed in 1978, the Manhattan branch in 1985. But before Dubrow’s cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia’s book Kibitz and Nosh: When We All Met at Dubrow’s Cafeteria, published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers’ memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    33 min
  • Matthew Fox-Amato, "Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America" (Oxford UP, 2019)

    Matthew Fox-Amato, "Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America" (Oxford UP, 2019)
    Feb 24 2024
    Shortly after its introduction, photography transformed the ways Americans made political arguments using visual images. In the mid-19th century, photographs became key tools in debates surrounding slavery. Yet, photographs were used in interesting and sometimes surprising ways by a range of actors. Matthew Fox-Amato, an Assistant Professor at the University of Idaho, examines the role of photography in the politics of slavery during the 19th century and the important legacies of those uses on later visual politics in his new book, Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America (Oxford University Press, 2019). The book examines the use of photographs by slaves, abolitionists, slaveholders, and Union soldiers to explore the rich complexities of the visual politics of the moment. He also considers the legacies of this use of the new medium. In this episode of the podcast, Fox-Amato discusses the ways these various groups used photography for individual purposes and to shape the debates surrounding slavery in the antebellum period. He explains how photographs also highlight how union soldiers were beginning to think about a post-slavery racial hierarchy during the war. The book demonstrates the importance of thinking about photographs as both visual images and material objects. In the interview, Fox-Amato discusses the research necessary to analyze the photographs in both these ways and the broader importance of studying visual and material culture in all their historical complexity. Christine Lamberson is an Associate Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    53 min
  • Joanna Zylinska, "The Perception Machine: Our Photographic Future between the Eye and AI" (MIT Press, 2023)

    Joanna Zylinska, "The Perception Machine: Our Photographic Future between the Eye and AI" (MIT Press, 2023)
    Dec 22 2023
    A provocative investigation of the future of photography and human perception in the age of AI. We are constantly photographing and being photographed while feeding machine learning databases with our data, which in turn is used to generate new images. Analyzing the transformation of photography by computation—and the transformation of human perception by algorithmically driven images, from CGI to AI—The Perception Machine: Our Photographic Future between the Eye and AI (MIT Press, 2023) investigates what it means for us to live surrounded by image flows and machine eyes. In an astute and engaging argument, Joanna Zylinska brings together media theory and neuroscience in a Vilém Flusser–Paul Virilio remix. Her “perception machine” names a technical universe of images and their infrastructures. But it also refers to a sociopolitical condition resulting from today's automation of vision, imaging—and imagination. Written by a theorist-practitioner, the book incorporates Zylinska's own art projects, some of which have been co-created with AI. The photographs, collages, films, and installations available as part of the book (and its companion website) provide a different mode of thinking about our technological futures, at a local as well as a planetary level. Offering provocative concepts such as eco-eco-punk, AUTO-FOTO-KINO, planetary micro-vision, loser images, and sensography, the book outlines an existential philosophy of messy media for a time when our practices of imaging and self-imaging are being radically redesigned. Importantly, it also offers a new vision of our future. Joanna Zylinska is Professor of Media Philosophy + Critical Digital Practice at King's College London. The author of Nonhuman Photography (MIT Press) and many other books on art, technology, and ethics, she is also an artist and curator. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    1 h et 2 min