• Open-Door Playhouse

  • Auteur(s): Multiple
  • Podcast

Open-Door Playhouse

Auteur(s): Multiple
  • Résumé

  • Open-Door Playhouse is a monthly podcast harking back to live radio theater broadcasts. Created to introduce New Plays, New Writers, and… a wealth of unknown talent. Giving them the opportunity to have their works created in sound studios as opposed to live stage productions and presented on the Podcast as “Radio Productions.” Play submissions will be solicited online, outreach centers and word of mouth. Broadcasts will be once a month (to start) and grow as demand requires. Long term goal is to reach out to undeserved writing communities: prisons, school and community groups to provide an avenue to have their voices heard, via plays, short stories or poetry, and to establish Podcast as its own 501c3 organization.To submit your play contact:open-doorplayhouse@gmail.com

    © 2025 Open-Door Playhouse
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Épisodes
  • THEATER 161: Remembrance
    Mar 5 2025

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    After the death of his father, a grief-stricken Hamlet is plagued by psychotic delusions making him think several others have died and that he is at fault. He finds comfort in an unexpected source: the dearly not departed Ophelia.

    Rachel Berney Needleman directs Kim Hlavac as Ophelia and Omari Williams as
    Hamlet.

    Allie Costa is the playwright. Remarkably prolific, her many, many plays include Two Girls, Rise Up, Boxes Are Magic, This Used to Be My Playground, Mindstream, A Taste of the Future, Music of the Mind, Safe Distance, and more. She is also a director and actor.

    Support the show

    Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

    Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

    There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

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    14 min
  • THEATER 160: Speed Dating
    Feb 26 2025

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    Two senior citizens, both windowed, meet at a senior citizen event at a Holiday Inn
    conference room. They engage in humorous banter and then discuss their former spouses, each deeply affected by their loss.

    Bernadette Armstrong directs Gary Lamb as Jesse and Camille Ameen as Sara.

    Curt Strickland is a playwright who recently received a masters degree in playwriting from Lesley University’s graduate program. Inspired by August Wilson, Curt is finishing up his 5th play in a ten play opus on American, each play set in a different decade. You can view other plays by Curt at the New Play Exchange: https://newplayexchange.org/users/68843/curt-strickland and view his political and cultural essays at curtsview.com, Curt is a landscape photographer, and a former owner at Great American Art, one of the largest commercial art corporations in the nation. Curt believes that Art should serve to heal, inspire, provoke, challenge and to offer hope – but most of all to connect, to remind us of our common humanity.

    Curt recently was awarded the William Faulkner Literary playwriting prize for his full length play, 1968, and Curt just published his book: Democracy Under Siege: (Essays on the Trump Years, 2017-2024).

    In 2020, Curt received a double lung transplant, an event that had profound effects on both his writing and his life. This experience is the basis of a new play he is developing entitled Double Lung.

    Support the show

    Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

    Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

    There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

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    23 min
  • THEATER 159: Together
    Feb 12 2025

    Send us a text

    Coming appropriately shortly before Valentine’s Day Together chronicles the entire timeline of a love story of two people who were meant for each other. There will be evidence of their love for years to come.

    Sue Gisser directs David Andrew Calvillo as Kyle and Leah Jarvik as Lauren.

    Playwright Michael Sams is an established playwright in his native Australia. His
    previous plays include Hunters and The Specialists. He is also an actor. He received his Master’s Degree from Macquarie University. His plays have been performed in Sydney, New York, and Dubai.

    Support the show

    Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

    Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

    There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

    Voir plus Voir moins
    16 min

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