This episode has a history that winds like a West Texas border road. My guests are the Brothers Elmore, and we originally recorded it in April but one of the tracks went bad. So finally at the end of our collective academic semesters, we once again discussed No Country for Old Men, speculating about its origins, its commentary on neo-liberalism, the film adaptation, and how some critics tried to read the author through the novel. Twin brothers, the Elmores collaborate on their work on McCarthy.

Jonathan Elmore is Associate Professor of English at Louisiana Tech University and the Managing Editor of Watchung Review.. He is the editor of Fiction and the Sixth Mass Extinction: Narrative in an Era of Loss (Lexington) and co-author of An Introduction to African and Afro-Diasporic Peoples and Influences in British Literature and Culture before the Industrial Revolution (ALG). His scholarship has been published in The Cormac McCarthy Journal, Mississippi Quarterly, The British Fantasy Society Journal, Orbit, The Journal of Liberal Arts and Humanities, and The Criterion, among others.

Thanks as well to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.

The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope that like Hank Williams they will someday see the light. Download and follow us on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts. If you’re agreeable it’ll help us if you provide favorable reviews on these platforms. If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmccarthy(@)gmail.com. The website is readingmccarthy.buzzsprout.com.

Listen on: Apple Podcasts Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

Episode 55 is a discussion with award winning novelist, short story writer, poet, and big-time McCarthy fan, Ron Rash. Ron attended Gardner Webb University in Boiling Rock NC and then earned his master’s in English at Clemson University. He is a writing and English faculty member at Western Carolina in Cullowhee, NC, where he serves as the John and Dorothy Parris Distinguished Professor of Appalachian Cultural Studies. Ron has won many (I mean, many) honors and awards, including the Academy of American Poets Prize in 1986, O’Henry short story awards in 2005, 2010, 2019, and the Frank O’Connor International short story award in 2010. His collection of stories Chemistry and Other Stories was a finalist for the Pen/Faulkner award, as was his novel Serena. His most recent novel is The Caretaker, a novel set during the Korean War but dealing primarily with class stratification and the home-front in Blowing Rock, North Carolina. The Caretaker was selected by the New York Times as one of the Best Books of the Year for 2023.

Ron was the Keynote speaker at the McCarthy Conference in October, 2024 and was kind enough to sit for an interview and discuss our mutual passion for the works of Cormac McCarthy.

Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.

The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope they’ll follow along. Download and follow us on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts. If you’re agreeable it’ll help us if you provide favorable reviews on these platforms. To contact us, please reach out to readingmccarthy@gmail.com.

Listen on: Apple Podcasts Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

This episode of READING MCCARTHY welcomes to the podcast for the first time Austin Smith. Austin studied history and literature at the University of Georgia. He has worked as a photographer and a professional adventure photographer, following the art into aviation, mountaineering, and motorcycle racing. He now leads a human resources consulting business in Denver, Colorado. A couple of years ago he hooked up an Airstream fifth wheel RV to his truck and, armed with a load of McCarthy novels, followed the books’ trails across the southwest. At one point things maybe even get a little Indiana Jones for Austin (or possibly Bobby Western). Austin’s blog on the subject may be found here: http://www.austincameronsmith.com/photo-essay-cormac-mccarthys-borderlands

Thomas Frye composed, performed, and produced the music for READING MCCARTHY.

The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. If you’re agreeable it’ll help us if you provide favorable reviews on your favorite podcasting platforms. If you enjoy this podcast, you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is still nominally on X aka Twitter that was. The website is at readingmccarthy.buzzsprout.com, and if you’d like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino.

Listen on: Apple Podcasts Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

This 53rd episode of READING MCCARTHY takes a long ramble down THE ROAD, McCarthy’s 2006 Pulitzer Prize winning novel of a father and son enduring life in a harrowing, ashen landscape after some undisclosed apocalypse. For this discussion I’m glad to welcome back guest Dr. Bryan Vescio. Professor and Chair of English at High Point University in North Carolina, Dr. Vescio has previously joined us for discussions on Suttree and Cities of the Plain, among others. He is the author of the 2014 book Reconstruction in Literary Studies: An Informalist Approach, as well as numerous articles on American authors including Mark Twain, William Faulkner, John Steinbeck, and Nathanael West, and articles on works by Cormac Mccarthy including Suttree, Blood Meridian, and The Road.

Thomas Frye composed, performed, and produced the music for READING MCCARTHY.

The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. If you’re agreeable it’ll help us if you provide favorable reviews on your favorite podcasting platforms. If you enjoy this podcast, you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is still nominally on X aka Twitter that was. The website is at readingmccarthy.buzzsprout.com, and if you’d like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino.

Listen on: Apple Podcasts Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

Episode 52 is a round table considering the impact of Ernest Hemingway’s writing on the works of Cormac McCarthy. Joining us for this discussion are Dr. Olivia Carr Edenfield, Professor of English at Georgia Southern University. She is a founding member of the Society for the Study of the American Short Story and Director of the American Literature Association. She has recently published a defense of the mother in The Road in the CMJ.

Dr. Brent Cline is an associate professor of English at Hillsdale College. He has published articles and chapters involving disability on Walker Percy, James Agee, and Daniel Keyes. His review of The Passenger/Stella Maris was published with The University Bookman. His article on The Mexican Revolution and All the Pretty Horses was just published in the CMJ.

Dr. Bryan Giemza is an Associate Professor of Humanities and Literature in the Honors College at Texas Tech University. He is author or editor of numerous books on American literary and cultural history, ten book chapters, and more than thirty published articles and reviews. His books include Irish Catholic Writers and the Invention of the American South, and more recently Science and Literature in Cormac McCarthy’s Expanding Worlds (2023), and the forthcoming Across the Canyons: Transdisciplinary Approaches to Divisive Communications in West Texas and Beyond, Texas Tech UP.

Dr. Allen Josephs joined us for a discussion of All the Pretty Horses. A past president of the Ernest Hemingway Foundation and Society and the South Atlantic Modern Language Association in 2008, where he was awarded the continuing honorary membership. He is the author of some 15 books, including On Hemingway and Spain: Essays and Reviews 1979 – 2013; White Wall of Spain: The Mysteries of Andalusian Culture; and For Whom the Bell Tolls: Ernest Hemingway’s Undiscovered Country. He is the author of four critical editions of the poetry of Federico García Lorca and a book of translations of Lorca’s poetry and prose, Only Mystery: Federico García Lorca’s Poetry in Word and Image. . His book On Cormac McCarthy: Essays on Mexico, Crime, Hemingway and God, was published in 2016. Dr. Josephs is professor emeritus from the University of West Florida where has taught for more than five decades and now resides in Spain.

As always, readers are warned: there be spoilers here.

Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY. The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope they’ll someday see the light. If you enjoy this podcast you may also enjoy the GREAT AMERICAN PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is nominally still

Listen on: Apple Podcasts Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

Although the fact often goes unacknowledged, it is a truth that sometimes an author’s residence within and endurance in the canon is a result of how that author is perceived and taught in the academy. Most literary scholars are also professors and teachers. For this episode of Reading McCarthy I round up some of the usual suspects for a panel discussion upon teaching the works of McCarthy to students. The guests include Stacey Peebles, Chair of the English program, Director of Film Studies, and the Marlene and David Grissom Professor of Humanities at Centre College in Danville, Kentucky. She is the author of Welcome to the Suck: Narrating the American Soldier's Experience in Iraq and Cormac McCarthy and Performance: Page, Stage, Screen. She is editor of the collection Violence in Literature and, with Ben West, co-editor of Approaches to Teaching the Works of Cormac McCarthy. She has been editor of the Cormac McCarthy Journal since 2010. She is the President of the Cormac McCarthy Society.

Dr. Bill Hardwig is an Associate Professor of English at the University of Tennessee. He is author of Upon Provincialism: Southern Literature and National Periodical Culture, 1870-1900 ( UVA Press 2013). He has edited critical editions of In the Tennessee Mountains by Mary Murfree and a forthcoming edition of Evelyn Scott’s Background in Tennessee and is co-editor with Susanna Ashton of Approaches to Teaching the Works of Charles W. Chesnutt in the MLA teaching series. He is currently working on a study of McCarthy’s fiction tentatively titled How Cormac Works: McCarthy, Language, and Style.

Bryan Giemza is an Associate Professor of Humanities and Literature in the Honors College at Texas Tech University. Dr. Giemza is author or editor of numerous books on American literary and cultural history, 10 book chapters, and more than 30 published articles and reviews, including Irish Catholic Writers and the Invention of the American South, which received the South Atlantic Modern Language Association's Studies Award and features a chapter on McCarthy, as well as Images of Depression-Era Louisiana: The FSA Photographs of Ben Shahn, Russell Lee, and Marion Post Wolcott ). His most recent books are Science and Literature in Cormac McCarthy’s Expanding Worlds (2023), and Across the Canyons: Transdisciplinary Approaches to Divisive Communications in West Texas and Beyond, Texas Tech UP (2024).

As always, listeners should beware: there be spoilers here. Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY. The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening

Listen on: Apple Podcasts Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

The guest for our 50th episode is the OG himself, the redoubtable RICK WALLACH, who joins us for a rousing discussion of No Country for Old Men. Somehow both Batman and Godzilla are referenced as we consider both the novel and the Coen Bros. film. Rick Wallach has recently retired from teaching English at the University of Miami. He is a founder of the Cormac McCarthy society, the senior and primary editor of the Cormac McCarthy Society casebook series, and editor of the two-volume collection of essays Sacred Violence as well as Myth, Legend Dust: Critical Responses to Cormac McCarthy, and co-editor with Lynnea Chapman King and the late James Welsh of From Novel to Film: No Country for Old Men. He is currently working on a new book called "In Search of Godzilla: Myth, History, and Politics in Ishiro Honda's Masterpiece."

As always, readers should beware: there be spoilers here.

Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY. The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope they’ll someday see the light. We appreciate favorable reviews on your favorite podcasting platform. If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is also on Twitter. The website is at readingmccarthy.buzzsprout.com, and if you’d like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino.

Listen on: Apple Podcasts Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

In this episode we head across the border one more time for a consideration of the Border Trilogy as a whole. How does knowing how the story begins and ends change how we read any of the different parts? My guests on this filibuster over the border include Dr. Nell Sullivan, a Kentuckian who earned her BA in English from Vanderbilt University and earned her PhD from Rice University. She is currently Professor of English at University of Houston-Downtown, where she teaches courses in American literature and the literature of the American South. A former editor of the Cormac McCarthy Journal, she has published extensively on gender and class representation in McCarthy’s novels, and has also published essays on Katherine Dunn, William Faulkner, and Nella Larsen, among others. Her work has appeared in numerous essay collections and in such journals as Genre, Critique, The Southern Quarterly, Mississippi Quarterly, and African American Review.

She’s joined by long time contributor Dr. Stephen Frye. Steve Frye is professor and chair of English at California State University, Bakersfield and President of the Cormac McCarthy Society. He is the author of Understanding Cormac McCarthy (Univ. of South Carolina Press) and editor of The Cambridge Companion to Cormac McCarthy, and Cambridge UP’s Cormac McCarthy in Context. He has written numerous journal articles on Cormac McCarthy and other authors of the American Romanticist Tradition. Additionally, he is the author of the novel Dogwood Crossing and the book, Unguessed Kinships: Naturalism and the Geography of Hope in Cormac McCarthy, University of Alabama Press.

Bringing in a breath of non-academic fresh air is Marty Priola. Voracious reader, a sometime critic, and book collector, Marty attended the Christian Brothers University of Memphis, the Publishing Institute at the University of Denver, and earned his J.D. at the University of Memphis. Marty’s website for McCarthy appreciation became the first website and a foundational part of the formation of the Cormac McCarthy Society, and he still maintains the Cormac McCarthy webpages and forums. He has written two entries on McCarthy for the Dictionary of Literary Biography. His writing is also featured in exchanges with Peter Josyph in Cormac Mccarthy’s House: Reading Mccarthy Without Walls and The Wrong Reader’s Guide to Cormac Mccarthy: All The Pretty Horses, which he edited and published in its first (ebook) form.

As always, listeners should beware: there be spoilers here.

Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY. The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. We appreciate favorable reviews on your favorite podcasting platform. If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.

To contact me, please reach out to readingmcc

Listen on: Apple Podcasts Spotify

Support the show

Starting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...